Mark Delaere is emeritus gewoon hoogleraar Musicologie aan de KU Leuven. Hij is oprichter van het Festival 20-21 en van het centrum voor nieuwe muziek MATRIX. De muziek van de Weense School – Arnold Schönberg, Alban Berg, Anton Webern – ligt hem nauw aan het hart. In 2020 stelde hij 'Een kleine muziekgeschiedenis van hier en nu' samen, een toegankelijk boek over de Westerse klassieke muziek sinds 1950.Mark Delaere is professor emeritus of Musicology at KU Leuven. His research covers mainly music from the 20th and 21st centuries, with a special focus on the interaction of analysis, history, theory and aesthetics of music.Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.

• CONTENTS'Una cosa riuscita': Ignace Bossuyt's Academic CareerMark Delaere & Pieter BergéList of Publications by Ignace BossuytHumor in the Motets of Orlando di LassoPeter BergquistA new source, and new compositions, for Philippe de MonteStanley BoormanHeinrich Isaac and his Recently Discovered Missa Presulem EphebeatumDavid J. BurnJosquin in the Sources of Spain: An Evaluation of two Unique AttributionsWillem EldersOld Testament Motets for the War of Cyprus (1570-71)Ian FenlonCaron and Florence: A New Ascription and the Copying of the Pixérécourt ChansonnierSean GallagherThe Officium of the Recollectio Festorum beate Marie Virginis by Gilles Carlier and Guillaume Du Fay:Its Celebration and Reform in LeuvenBarbara Haggh'Excellent For the Hand': Writing on John Bull's Keyboard Music in EnglandJohn IrvingJosquin, Willaert and Douleur me batEric JasGardano's Mottetti Del Frutto of 1538-39 and the Promotion of a New StyleMary S. LewisLa Prottola Antica e la Caccia. Indizi di un recupero formale e stilistico nelle prima metà del CinquecentoFrancesco LuisiDie Entstehung der musikalischen Geschichte. Historisierung und ästhetische Praxis am Beispiel JosquinsLaurenz LüttekenNotations modales au seizième siècleNicolas MeeùsNotes from an Erasable TabletJohn MilsomSelf-Citation and Self-Promotion: Zarlino and the Miserere TraditionKatelijne SchiltzBeati Omnes, Qui timent Dominum à 5. Order: Von den Schwierigkeiten, Orlando di Lassos Motetten zu edierenBernhold SchmidÜber ,Nationalstile' in der Motette des 16. JahrhundertsThomas Schmidt-BesteAn Unknown Organ Manuscript with Mainly Magnificat-Settings by Lassus (1626)Eugeen SchreursLa musique et l'éducation des jeunes filles. D'après La montaigne des pucellesDen Maeghden-Bergh de Magdaleine Valéry (Leyde, 1599)Henri VanhulstJohannes Tinctoris and the Art of ListeningRob C. WegmanIndex of Names

The self-effacing title of this Festschrift belies the great wealth of scholarship to which it bears witness. It pays fitting tribute to a scholar whose work on sixteenth-century music - on Adrian Willaert, Alexander Utendal and Orlando di Lasso, through editorial, analytical and historical studies - has been prolific and far-reaching.The variety of approaches taken in Bossuyt's own work are reflected in the diversity of offerings here.Edward Wickham, St Catharine's College, Cambridge, FONTES AR TIS MUSICAE 57/2

Mark Delaere is emeritus gewoon hoogleraar Musicologie aan de KU Leuven. Hij is oprichter van het Festival 20-21 en van het centrum voor nieuwe muziek MATRIX. De muziek van de Weense School – Arnold Schönberg, Alban Berg, Anton Webern – ligt hem nauw aan het hart. In 2020 stelde hij 'Een kleine muziekgeschiedenis van hier en nu' samen, een toegankelijk boek over de Westerse klassieke muziek sinds 1950.Mark Delaere is professor emeritus of Musicology at KU Leuven. His research covers mainly music from the 20th and 21st centuries, with a special focus on the interaction of analysis, history, theory and aesthetics of music.Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.

• CONTENTS'Una cosa riuscita': Ignace Bossuyt's Academic CareerMark Delaere & Pieter BergéList of Publications by Ignace BossuytHumor in the Motets of Orlando di LassoPeter BergquistA new source, and new compositions, for Philippe de MonteStanley BoormanHeinrich Isaac and his Recently Discovered Missa Presulem EphebeatumDavid J. BurnJosquin in the Sources of Spain: An Evaluation of two Unique AttributionsWillem EldersOld Testament Motets for the War of Cyprus (1570-71)Ian FenlonCaron and Florence: A New Ascription and the Copying of the Pixérécourt ChansonnierSean GallagherThe Officium of the Recollectio Festorum beate Marie Virginis by Gilles Carlier and Guillaume Du Fay:Its Celebration and Reform in LeuvenBarbara Haggh'Excellent For the Hand': Writing on John Bull's Keyboard Music in EnglandJohn IrvingJosquin, Willaert and Douleur me batEric JasGardano's Mottetti Del Frutto of 1538-39 and the Promotion of a New StyleMary S. LewisLa Prottola Antica e la Caccia. Indizi di un recupero formale e stilistico nelle prima metà del CinquecentoFrancesco LuisiDie Entstehung der musikalischen Geschichte. Historisierung und ästhetische Praxis am Beispiel JosquinsLaurenz LüttekenNotations modales au seizième siècleNicolas MeeùsNotes from an Erasable TabletJohn MilsomSelf-Citation and Self-Promotion: Zarlino and the Miserere TraditionKatelijne SchiltzBeati Omnes, Qui timent Dominum à 5. Order: Von den Schwierigkeiten, Orlando di Lassos Motetten zu edierenBernhold SchmidÜber ,Nationalstile' in der Motette des 16. JahrhundertsThomas Schmidt-BesteAn Unknown Organ Manuscript with Mainly Magnificat-Settings by Lassus (1626)Eugeen SchreursLa musique et l'éducation des jeunes filles. D'après La montaigne des pucellesDen Maeghden-Bergh de Magdaleine Valéry (Leyde, 1599)Henri VanhulstJohannes Tinctoris and the Art of ListeningRob C. WegmanIndex of Names

The self-effacing title of this Festschrift belies the great wealth of scholarship to which it bears witness. It pays fitting tribute to a scholar whose work on sixteenth-century music - on Adrian Willaert, Alexander Utendal and Orlando di Lasso, through editorial, analytical and historical studies - has been prolific and far-reaching.The variety of approaches taken in Bossuyt's own work are reflected in the diversity of offerings here.Edward Wickham, St Catharine's College, Cambridge, FONTES AR TIS MUSICAE 57/2

Mark Delaere is emeritus gewoon hoogleraar Musicologie aan de KU Leuven. Hij is oprichter van het Festival 20-21 en van het centrum voor nieuwe muziek MATRIX. De muziek van de Weense School – Arnold Schönberg, Alban Berg, Anton Webern – ligt hem nauw aan het hart. In 2020 stelde hij 'Een kleine muziekgeschiedenis van hier en nu' samen, een toegankelijk boek over de Westerse klassieke muziek sinds 1950.Mark Delaere is professor emeritus of Musicology at KU Leuven. His research covers mainly music from the 20th and 21st centuries, with a special focus on the interaction of analysis, history, theory and aesthetics of music.Pieter Bergé is hoogleraar Musicologie aan de KU Leuven en artistiek directeur van Festival 20.21 Leuven. Zijn boeken, zowel wetenschappelijke als populariserende, werden herhaaldelijk bekroond. Pieter Bergé is Professor of Music Analysis, History and Theory (1750-1900) at the KU Leuven. His main research topics are Arnold Schoenberg, German opera during the Weimar Republic, Formenlehre, instrumental music from 1770-1830, and 'analysis-and-performance'-issues.

• CONTENTS'Una cosa riuscita': Ignace Bossuyt's Academic CareerMark Delaere & Pieter BergéList of Publications by Ignace BossuytHumor in the Motets of Orlando di LassoPeter BergquistA new source, and new compositions, for Philippe de MonteStanley BoormanHeinrich Isaac and his Recently Discovered Missa Presulem EphebeatumDavid J. BurnJosquin in the Sources of Spain: An Evaluation of two Unique AttributionsWillem EldersOld Testament Motets for the War of Cyprus (1570-71)Ian FenlonCaron and Florence: A New Ascription and the Copying of the Pixérécourt ChansonnierSean GallagherThe Officium of the Recollectio Festorum beate Marie Virginis by Gilles Carlier and Guillaume Du Fay:Its Celebration and Reform in LeuvenBarbara Haggh'Excellent For the Hand': Writing on John Bull's Keyboard Music in EnglandJohn IrvingJosquin, Willaert and Douleur me batEric JasGardano's Mottetti Del Frutto of 1538-39 and the Promotion of a New StyleMary S. LewisLa Prottola Antica e la Caccia. Indizi di un recupero formale e stilistico nelle prima metà del CinquecentoFrancesco LuisiDie Entstehung der musikalischen Geschichte. Historisierung und ästhetische Praxis am Beispiel JosquinsLaurenz LüttekenNotations modales au seizième siècleNicolas MeeùsNotes from an Erasable TabletJohn MilsomSelf-Citation and Self-Promotion: Zarlino and the Miserere TraditionKatelijne SchiltzBeati Omnes, Qui timent Dominum à 5. Order: Von den Schwierigkeiten, Orlando di Lassos Motetten zu edierenBernhold SchmidÜber ,Nationalstile' in der Motette des 16. JahrhundertsThomas Schmidt-BesteAn Unknown Organ Manuscript with Mainly Magnificat-Settings by Lassus (1626)Eugeen SchreursLa musique et l'éducation des jeunes filles. D'après La montaigne des pucellesDen Maeghden-Bergh de Magdaleine Valéry (Leyde, 1599)Henri VanhulstJohannes Tinctoris and the Art of ListeningRob C. WegmanIndex of Names

The self-effacing title of this Festschrift belies the great wealth of scholarship to which it bears witness. It pays fitting tribute to a scholar whose work on sixteenth-century music - on Adrian Willaert, Alexander Utendal and Orlando di Lasso, through editorial, analytical and historical studies - has been prolific and far-reaching.The variety of approaches taken in Bossuyt's own work are reflected in the diversity of offerings here.Edward Wickham, St Catharine's College, Cambridge, FONTES AR TIS MUSICAE 57/2