Alice Bell is Professor of English language and literature at Sheffield Hallam University, UK. She researches digital fiction, narratology, stylistics, and empirical literary methods. Her publications include The Possible Worlds of Hypertext Fiction ( 2010), Digital Fiction and the Unnatural (co-authored with Astrid Ensslin, 2021), Possible Worlds Theory and Contemporary Narratology (co-edited with Marie-Laure Ryan, 2019), and Style and Reader Response (co-edited with Browse et al., John Benjamins Benjamins, 2021).Astrid Ensslin is Professor of Digital Cultures and Communication at the University of Regensburg, Germany, where she directs the Digital Area Studies Lab (DAS|LAB). Her research sits at the intersections between digital culture, critical media studies, narratology, sociolinguistics, digital humanities, and empirical audience research. Recent publications include The Routledge Companion to Literary Media (co-edited with Julia Round and Bronwen Thomas, 2023), Pre-web Digital Publishing and the Lore of Electronic Literature (2022), and Digital Fiction and the Unnatural (co-authored with Alice Bell, 2021).

• AcknowledgementsChapter 1. Introduction: Digital Fiction, Empirical Research, and Medial ReadingChapter 2. Second-Person Narration in Ludic Hypermedia FictionChapter 3. Hyperlinks in Hypertext FictionChapter 4. Immersion in Literary GamesChapter 5. App-Fiction and the Ethics of Ontological AmbiguityChapter 6. Orientation and Empathy in VR FictionChapter 7. Conclusion: Medially Reading Digital FictionReferencesIndex

Alice Bell is Professor of English language and literature at Sheffield Hallam University, UK. She researches digital fiction, narratology, stylistics, and empirical literary methods. Her publications include The Possible Worlds of Hypertext Fiction ( 2010), Digital Fiction and the Unnatural (co-authored with Astrid Ensslin, 2021), Possible Worlds Theory and Contemporary Narratology (co-edited with Marie-Laure Ryan, 2019), and Style and Reader Response (co-edited with Browse et al., John Benjamins Benjamins, 2021).Astrid Ensslin is Professor of Digital Cultures and Communication at the University of Regensburg, Germany, where she directs the Digital Area Studies Lab (DAS|LAB). Her research sits at the intersections between digital culture, critical media studies, narratology, sociolinguistics, digital humanities, and empirical audience research. Recent publications include The Routledge Companion to Literary Media (co-edited with Julia Round and Bronwen Thomas, 2023), Pre-web Digital Publishing and the Lore of Electronic Literature (2022), and Digital Fiction and the Unnatural (co-authored with Alice Bell, 2021).

• AcknowledgementsChapter 1. Introduction: Digital Fiction, Empirical Research, and Medial ReadingChapter 2. Second-Person Narration in Ludic Hypermedia FictionChapter 3. Hyperlinks in Hypertext FictionChapter 4. Immersion in Literary GamesChapter 5. App-Fiction and the Ethics of Ontological AmbiguityChapter 6. Orientation and Empathy in VR FictionChapter 7. Conclusion: Medially Reading Digital FictionReferencesIndex

Alice Bell is Professor of English language and literature at Sheffield Hallam University, UK. She researches digital fiction, narratology, stylistics, and empirical literary methods. Her publications include The Possible Worlds of Hypertext Fiction ( 2010), Digital Fiction and the Unnatural (co-authored with Astrid Ensslin, 2021), Possible Worlds Theory and Contemporary Narratology (co-edited with Marie-Laure Ryan, 2019), and Style and Reader Response (co-edited with Browse et al., John Benjamins Benjamins, 2021).Astrid Ensslin is Professor of Digital Cultures and Communication at the University of Regensburg, Germany, where she directs the Digital Area Studies Lab (DAS|LAB). Her research sits at the intersections between digital culture, critical media studies, narratology, sociolinguistics, digital humanities, and empirical audience research. Recent publications include The Routledge Companion to Literary Media (co-edited with Julia Round and Bronwen Thomas, 2023), Pre-web Digital Publishing and the Lore of Electronic Literature (2022), and Digital Fiction and the Unnatural (co-authored with Alice Bell, 2021).

• AcknowledgementsChapter 1. Introduction: Digital Fiction, Empirical Research, and Medial ReadingChapter 2. Second-Person Narration in Ludic Hypermedia FictionChapter 3. Hyperlinks in Hypertext FictionChapter 4. Immersion in Literary GamesChapter 5. App-Fiction and the Ethics of Ontological AmbiguityChapter 6. Orientation and Empathy in VR FictionChapter 7. Conclusion: Medially Reading Digital FictionReferencesIndex