Del 20 - Mediated Fictions

Reading Contemporary TV Series

Aesthetics, Themes, and Reception

Inbunden, Engelska, 2022

Av Miłosz Wojtyna, Barbara Miceli, Roksana Zgierska, Milosz Wojtyna, Mi¿osz Wojtyna, Ludmila Gruszewska-Blaim

819 kr

Beställningsvara. Skickas inom 5-8 vardagar

Fri frakt för medlemmar vid köp för minst 249 kr.

The rapid development of the TV series in the twenty-first century has resulted in an emergence of new aesthetic, cultural, and social trends. The development has influenced both the mainstream of popular culture and reception practices of audiences across nations and platforms. This book observes how the means employed in key contemporary TV series texts and a specific thematic variety have promoted new reception styles and redefined conventional interpretive practices. The authors analyze a variety of series released since 2000 to discuss historical (dis)continuities of genres and conventions, and observe how interpretive competences promoted by the rhetoric of contemporary TV series result from, and are polemical with, the conventions of visual and verbal cultures of preceding decades.

Produktinformation

Utgivningsdatum2022-05-25
Mått148 x 210 x 17 mm
Vikt394 g
FormatInbunden
SpråkEngelska
SerieMediated Fictions
Antal sidor212
Upplaga22001
FörlagPeter Lang AG
ISBN9783631862469

Tillhör följande kategorier

Miłosz Wojtyna – Assistant Professor at the University of Gdańsk, Poland. He specializes in narratology and communication theory. His current research is concerned with virtual reality and the simulacra of Internet culture.Barbara Miceli – Assistant Professor at the University of Gdańsk. She specializes in the relationship between fact and fiction in contemporary American novel and TV.Roksana Zgierska – Assistant Professor at the University of Gdańsk. She specializes in contemporary narrative theory with the emphasis on the role of the reader, intertextuality and transmedia.

Aesthetics, Themes, and Reception of 21st-century TV series. Subject matters discussed: Narrative Conventions and Experimentation; Visual Complexity and the Spectacle; Seriality and the Segmented Experience of Narrative; Representations of Female Identity, Representation of Race and Ethnicity, Dystopian Futures and (Not Too) Fictional Presents: Living the Covid-19 Pandemic; Reader/Viewer and the Text; Watching is the New Reading: Defining Reader’s Competences; Multimodal TV Series