Paul Batchelor was born in Northumberland in 1977. In 2003 he received an Eric Gregory Award from the Society of Authors, and in 2004 he was given the Andrew Waterhouse Award by New Writing North. In 2005 he was a winner of the Poetry Business Prize; his pamphlet To Photograph a Snow Crystal was published by Smith/Doorstop in 2006. His first full-length collection, The Sinking Road (Bloodaxe, 2008), was shortlisted for The Jerwood Aldeburgh First Collection Prize 2008 and the Glen Dimplex Prize for Best First Collection. His poem 'Comeuppance' won the Edwin Morgan International Poetry Competition in 2009. He did his PhD at Newcastle University on the work of Barry MacSweeney, and his critical anthology, Reading Barry MacSweeney, was published by Bloodaxe in 2013.

'Barry MacSweeney was a contrary, lone wolf. For 25 years his work was marginalised and was absent from official records of poetry - MacSweeney's ear for a soaring, lyric melody was unmatched - his poetry became dark as blue steel, edging towards what became his domain: the lament' - Nicholas Johnson, Independent. 'His notion of the artist was formed around a myth of exemplary failure and belated recognition: Rimbaud was an early model for this - Such identifications were the basis for a poetics of direct utterance in which MacSweeney's voice mixed with others to inveigh, to celebrate or entreat - Pearl, a work of redemptive pathos, evoking the figure of a childhood sweetheart as a presence in nature, on the confines of social existence, was reprinted in The Book of Demons, where he projects himself as maimed and abject, hapless yet percipient victim of the demon drink, in writing that is both comic and terrifying' - Andrew Crozier, Guardian. 'MacSweeney's poetry places a radical, critical energy, unsparing of illusions, and bitter and comic in its self-appraisal, at the disposal of a clear-eyed celebration of the world. In lyrical and experimental forms the poet bears outraged witness to a culture in decline - as battered prophet, demonic wanderer and clown of misspent desire' - Clive Bush.

Paul Batchelor was born in Northumberland in 1977. In 2003 he received an Eric Gregory Award from the Society of Authors, and in 2004 he was given the Andrew Waterhouse Award by New Writing North. In 2005 he was a winner of the Poetry Business Prize; his pamphlet To Photograph a Snow Crystal was published by Smith/Doorstop in 2006. His first full-length collection, The Sinking Road (Bloodaxe, 2008), was shortlisted for The Jerwood Aldeburgh First Collection Prize 2008 and the Glen Dimplex Prize for Best First Collection. His poem 'Comeuppance' won the Edwin Morgan International Poetry Competition in 2009. He did his PhD at Newcastle University on the work of Barry MacSweeney, and his critical anthology, Reading Barry MacSweeney, was published by Bloodaxe in 2013.

'Barry MacSweeney was a contrary, lone wolf. For 25 years his work was marginalised and was absent from official records of poetry - MacSweeney's ear for a soaring, lyric melody was unmatched - his poetry became dark as blue steel, edging towards what became his domain: the lament' - Nicholas Johnson, Independent. 'His notion of the artist was formed around a myth of exemplary failure and belated recognition: Rimbaud was an early model for this - Such identifications were the basis for a poetics of direct utterance in which MacSweeney's voice mixed with others to inveigh, to celebrate or entreat - Pearl, a work of redemptive pathos, evoking the figure of a childhood sweetheart as a presence in nature, on the confines of social existence, was reprinted in The Book of Demons, where he projects himself as maimed and abject, hapless yet percipient victim of the demon drink, in writing that is both comic and terrifying' - Andrew Crozier, Guardian. 'MacSweeney's poetry places a radical, critical energy, unsparing of illusions, and bitter and comic in its self-appraisal, at the disposal of a clear-eyed celebration of the world. In lyrical and experimental forms the poet bears outraged witness to a culture in decline - as battered prophet, demonic wanderer and clown of misspent desire' - Clive Bush.

Paul Batchelor was born in Northumberland in 1977. In 2003 he received an Eric Gregory Award from the Society of Authors, and in 2004 he was given the Andrew Waterhouse Award by New Writing North. In 2005 he was a winner of the Poetry Business Prize; his pamphlet To Photograph a Snow Crystal was published by Smith/Doorstop in 2006. His first full-length collection, The Sinking Road (Bloodaxe, 2008), was shortlisted for The Jerwood Aldeburgh First Collection Prize 2008 and the Glen Dimplex Prize for Best First Collection. His poem 'Comeuppance' won the Edwin Morgan International Poetry Competition in 2009. He did his PhD at Newcastle University on the work of Barry MacSweeney, and his critical anthology, Reading Barry MacSweeney, was published by Bloodaxe in 2013.

'Barry MacSweeney was a contrary, lone wolf. For 25 years his work was marginalised and was absent from official records of poetry - MacSweeney's ear for a soaring, lyric melody was unmatched - his poetry became dark as blue steel, edging towards what became his domain: the lament' - Nicholas Johnson, Independent. 'His notion of the artist was formed around a myth of exemplary failure and belated recognition: Rimbaud was an early model for this - Such identifications were the basis for a poetics of direct utterance in which MacSweeney's voice mixed with others to inveigh, to celebrate or entreat - Pearl, a work of redemptive pathos, evoking the figure of a childhood sweetheart as a presence in nature, on the confines of social existence, was reprinted in The Book of Demons, where he projects himself as maimed and abject, hapless yet percipient victim of the demon drink, in writing that is both comic and terrifying' - Andrew Crozier, Guardian. 'MacSweeney's poetry places a radical, critical energy, unsparing of illusions, and bitter and comic in its self-appraisal, at the disposal of a clear-eyed celebration of the world. In lyrical and experimental forms the poet bears outraged witness to a culture in decline - as battered prophet, demonic wanderer and clown of misspent desire' - Clive Bush.