Poonam Trivedi is Reader in English at the University of Delhi, India. Ryuta Minami is Professor of English at Aichi University of Education, Japan.

• List of Figures Acknowledgments Re-playing Shakespeare in Asia: An Introduction, Poonam Trivedi Part I: Re-playing Interculturality 1. Other Shakespeares in Asias: An Overview, James Brandon 2. Asian Theatres, Mnouchkine and Shakespeare: The Search for a Theatrical Form, Brian Singleton 3. Shakespeare and the Indian Image(nary) : Embod(y)ment in Versions of A Midsummer Night’s Dream, Poonam Trivedi 4. "What, has this thing appear’d again tonight?" : Re-playing Shakespeares on the Japanese Stage, Minami Ryuta Part II: Re-playing Textuality / Theatricality 5. Fooling with Lear: A Performance History of Suzuki Tadashi`s King Lear (1984-2006), Ian Curruthers 6. Six People in Search of "To be or not to be …": Hamlet’s Soliloquy in Six Chinese Productions and the Metamorphosis of Shakespeare Performance on the Chinese Stage, Ruru Li 7. Is This Shakespeare?: Inoue Hidenori’s Adaptations of Shakespeare, Yoshihara Yukari 8. From Proscenium to Paddy Fields: Utpal Dutt’s Shakespeare Jatra, Tapati Gupta Part III: Re-playing Ethnicity, Identity and Postcoloniality 9. And Never The Twain Shall Meet? Shakespeare and Philippine Performance Traditions, Judy Celine Ick 10. The Stages ‘Occupied by Shakespeare’: Intercultural Performances and the Search for ‘Koreanness’ in Post-colonial Korea, Kim Moran 11. Shakespeare in the Shadows: Cultural Alienation, Politics and Eddin Khoo’s Shadow Puppet Adaptation of Macbeth, Nurul Farhana Low Abdullah and C. S. Lim 12. The Peripheral Body of Empire: Shakespearean Adaptations and Taiwan’s Geopolitics, Peichen Wu 13. "No World without Verona Walls"? Shakespeare in the Provincial Cultural Marketplace, Alexander Huang Part IV: Re-playing Genre and Gender 14. Dancing to Shakespeare: Crossing Genre and Gender in the Tragedies, Paromita Chakravarti and Swati Ganguly 15. "Living in a Different House": A Gambuh Macbeth in Bali, John Emigh 16. "O Heavy Lightness, O Serious Vanity": Camping Romeo and Juliet in Postcolonial Taiwan, Bi-qi Beatrice Lei List of Contributors Index

"This rich and thought-provoking collection is a welcome and timely addition to recent studies focussing on Shakespeare in Asia and charting, more generally, what Trivedi aptly describes as a 'surge of creativity in Asian theatre'." - Sonia Massai, Theatre Research International

Poonam Trivedi is Reader in English at the University of Delhi, India. Ryuta Minami is Professor of English at Aichi University of Education, Japan.

• List of Figures Acknowledgments Re-playing Shakespeare in Asia: An Introduction, Poonam Trivedi Part I: Re-playing Interculturality 1. Other Shakespeares in Asias: An Overview, James Brandon 2. Asian Theatres, Mnouchkine and Shakespeare: The Search for a Theatrical Form, Brian Singleton 3. Shakespeare and the Indian Image(nary) : Embod(y)ment in Versions of A Midsummer Night’s Dream, Poonam Trivedi 4. "What, has this thing appear’d again tonight?" : Re-playing Shakespeares on the Japanese Stage, Minami Ryuta Part II: Re-playing Textuality / Theatricality 5. Fooling with Lear: A Performance History of Suzuki Tadashi`s King Lear (1984-2006), Ian Curruthers 6. Six People in Search of "To be or not to be …": Hamlet’s Soliloquy in Six Chinese Productions and the Metamorphosis of Shakespeare Performance on the Chinese Stage, Ruru Li 7. Is This Shakespeare?: Inoue Hidenori’s Adaptations of Shakespeare, Yoshihara Yukari 8. From Proscenium to Paddy Fields: Utpal Dutt’s Shakespeare Jatra, Tapati Gupta Part III: Re-playing Ethnicity, Identity and Postcoloniality 9. And Never The Twain Shall Meet? Shakespeare and Philippine Performance Traditions, Judy Celine Ick 10. The Stages ‘Occupied by Shakespeare’: Intercultural Performances and the Search for ‘Koreanness’ in Post-colonial Korea, Kim Moran 11. Shakespeare in the Shadows: Cultural Alienation, Politics and Eddin Khoo’s Shadow Puppet Adaptation of Macbeth, Nurul Farhana Low Abdullah and C. S. Lim 12. The Peripheral Body of Empire: Shakespearean Adaptations and Taiwan’s Geopolitics, Peichen Wu 13. "No World without Verona Walls"? Shakespeare in the Provincial Cultural Marketplace, Alexander Huang Part IV: Re-playing Genre and Gender 14. Dancing to Shakespeare: Crossing Genre and Gender in the Tragedies, Paromita Chakravarti and Swati Ganguly 15. "Living in a Different House": A Gambuh Macbeth in Bali, John Emigh 16. "O Heavy Lightness, O Serious Vanity": Camping Romeo and Juliet in Postcolonial Taiwan, Bi-qi Beatrice Lei List of Contributors Index

"This rich and thought-provoking collection is a welcome and timely addition to recent studies focussing on Shakespeare in Asia and charting, more generally, what Trivedi aptly describes as a 'surge of creativity in Asian theatre'." - Sonia Massai, Theatre Research International

Poonam Trivedi is Reader in English at the University of Delhi, India. Ryuta Minami is Professor of English at Aichi University of Education, Japan.

• List of Figures Acknowledgments Re-playing Shakespeare in Asia: An Introduction, Poonam Trivedi Part I: Re-playing Interculturality 1. Other Shakespeares in Asias: An Overview, James Brandon 2. Asian Theatres, Mnouchkine and Shakespeare: The Search for a Theatrical Form, Brian Singleton 3. Shakespeare and the Indian Image(nary) : Embod(y)ment in Versions of A Midsummer Night’s Dream, Poonam Trivedi 4. "What, has this thing appear’d again tonight?" : Re-playing Shakespeares on the Japanese Stage, Minami Ryuta Part II: Re-playing Textuality / Theatricality 5. Fooling with Lear: A Performance History of Suzuki Tadashi`s King Lear (1984-2006), Ian Curruthers 6. Six People in Search of "To be or not to be …": Hamlet’s Soliloquy in Six Chinese Productions and the Metamorphosis of Shakespeare Performance on the Chinese Stage, Ruru Li 7. Is This Shakespeare?: Inoue Hidenori’s Adaptations of Shakespeare, Yoshihara Yukari 8. From Proscenium to Paddy Fields: Utpal Dutt’s Shakespeare Jatra, Tapati Gupta Part III: Re-playing Ethnicity, Identity and Postcoloniality 9. And Never The Twain Shall Meet? Shakespeare and Philippine Performance Traditions, Judy Celine Ick 10. The Stages ‘Occupied by Shakespeare’: Intercultural Performances and the Search for ‘Koreanness’ in Post-colonial Korea, Kim Moran 11. Shakespeare in the Shadows: Cultural Alienation, Politics and Eddin Khoo’s Shadow Puppet Adaptation of Macbeth, Nurul Farhana Low Abdullah and C. S. Lim 12. The Peripheral Body of Empire: Shakespearean Adaptations and Taiwan’s Geopolitics, Peichen Wu 13. "No World without Verona Walls"? Shakespeare in the Provincial Cultural Marketplace, Alexander Huang Part IV: Re-playing Genre and Gender 14. Dancing to Shakespeare: Crossing Genre and Gender in the Tragedies, Paromita Chakravarti and Swati Ganguly 15. "Living in a Different House": A Gambuh Macbeth in Bali, John Emigh 16. "O Heavy Lightness, O Serious Vanity": Camping Romeo and Juliet in Postcolonial Taiwan, Bi-qi Beatrice Lei List of Contributors Index

"This rich and thought-provoking collection is a welcome and timely addition to recent studies focussing on Shakespeare in Asia and charting, more generally, what Trivedi aptly describes as a 'surge of creativity in Asian theatre'." - Sonia Massai, Theatre Research International