Naomi Booth is the author of the short story collection Animals at Night as well as the novels Exit Management and Sealed (all Dead Ink Books). Sealed is optioned by Erin Richards who is currently working on a script. Exit Management was listed as a Guardian Best Fiction Book of 2020 and Animals at Night was shortlisted for the 2023 Edge Hill Prize, winning the 'Reader's Choice' award. Naomi's other short fiction has been listed for the Sunday Times EFG Short Story Award and the Galley Beggars Short Story Prize and anthologised in Best British Short Stories. Her story, 'Sour Hall', first published in Virago's 2020 collection Hag, was adapted into an Audible Originals drama series. Naomi grew up in West Yorkshire and now lives in York. She is an Associate Professor at Durham University, and also writes academic prose, including her recent, brilliantly reviewed, monograph on the literary history of swooning, Swoon: A Poetics of Passing Out.

'raw content is a work of dark, aching beauty. This is the side of new motherhood we're still learning to speak: violent, tender, clarified - and ringing with determination and love. No one writes about landscape and the body the way that Booth does, and no one captures the strange lines of connection that run between them with such visceral precision. Brimming with Booth's love of language and literature, and her irrevocable knack for revealing us to ourselves'

Naomi Booth is the author of the short story collection Animals at Night as well as the novels Exit Management and Sealed (all Dead Ink Books). Sealed is optioned by Erin Richards who is currently working on a script. Exit Management was listed as a Guardian Best Fiction Book of 2020 and Animals at Night was shortlisted for the 2023 Edge Hill Prize, winning the 'Reader's Choice' award. Naomi's other short fiction has been listed for the Sunday Times EFG Short Story Award and the Galley Beggars Short Story Prize and anthologised in Best British Short Stories. Her story, 'Sour Hall', first published in Virago's 2020 collection Hag, was adapted into an Audible Originals drama series. Naomi grew up in West Yorkshire and now lives in York. She is an Associate Professor at Durham University, and also writes academic prose, including her recent, brilliantly reviewed, monograph on the literary history of swooning, Swoon: A Poetics of Passing Out.

'raw content is a work of dark, aching beauty. This is the side of new motherhood we're still learning to speak: violent, tender, clarified - and ringing with determination and love. No one writes about landscape and the body the way that Booth does, and no one captures the strange lines of connection that run between them with such visceral precision. Brimming with Booth's love of language and literature, and her irrevocable knack for revealing us to ourselves'

Naomi Booth is the author of the short story collection Animals at Night as well as the novels Exit Management and Sealed (all Dead Ink Books). Sealed is optioned by Erin Richards who is currently working on a script. Exit Management was listed as a Guardian Best Fiction Book of 2020 and Animals at Night was shortlisted for the 2023 Edge Hill Prize, winning the 'Reader's Choice' award. Naomi's other short fiction has been listed for the Sunday Times EFG Short Story Award and the Galley Beggars Short Story Prize and anthologised in Best British Short Stories. Her story, 'Sour Hall', first published in Virago's 2020 collection Hag, was adapted into an Audible Originals drama series. Naomi grew up in West Yorkshire and now lives in York. She is an Associate Professor at Durham University, and also writes academic prose, including her recent, brilliantly reviewed, monograph on the literary history of swooning, Swoon: A Poetics of Passing Out.

'raw content is a work of dark, aching beauty. This is the side of new motherhood we're still learning to speak: violent, tender, clarified - and ringing with determination and love. No one writes about landscape and the body the way that Booth does, and no one captures the strange lines of connection that run between them with such visceral precision. Brimming with Booth's love of language and literature, and her irrevocable knack for revealing us to ourselves'