Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.

Amis has brought off the feat of satirizing his contemporaries while making them both funny and, in a bizarre way, moving—Peter AckroydScurrilous, shameless and very funny—Time Literary SupplementExtravagantly sexual-highly enjoyable—Evening StandardAmis's arrogantly assured manner is a formidable weapon, spraying the target with disdainful wit, ingenious obscenity, astute literariness, loathing, lust, anxiety and an all-pervading hyper-self-consciousness—ObserverA magnificent novel, a masterpiece really, its prose energetic, angry, honest and so funny—Andrew Billen, The Times

Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.

Amis has brought off the feat of satirizing his contemporaries while making them both funny and, in a bizarre way, moving—Peter AckroydScurrilous, shameless and very funny—Time Literary SupplementExtravagantly sexual-highly enjoyable—Evening StandardAmis's arrogantly assured manner is a formidable weapon, spraying the target with disdainful wit, ingenious obscenity, astute literariness, loathing, lust, anxiety and an all-pervading hyper-self-consciousness—ObserverA magnificent novel, a masterpiece really, its prose energetic, angry, honest and so funny—Andrew Billen, The Times

Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.

Amis has brought off the feat of satirizing his contemporaries while making them both funny and, in a bizarre way, moving—Peter AckroydScurrilous, shameless and very funny—Time Literary SupplementExtravagantly sexual-highly enjoyable—Evening StandardAmis's arrogantly assured manner is a formidable weapon, spraying the target with disdainful wit, ingenious obscenity, astute literariness, loathing, lust, anxiety and an all-pervading hyper-self-consciousness—ObserverA magnificent novel, a masterpiece really, its prose energetic, angry, honest and so funny—Andrew Billen, The Times