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Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
Kymberly N. Pinder is Associate Professor of Art History at the School of the Art Institute of Chicago.
List of figures List of Color Plates Introduction: Kymberly N. Pinder I. Black Athenas, Semitic Devils and Black Magi: Reading Race from Antiquity to the Middle Ages 1. Just Like Us: Cultural Constructions of Sexuality and Race in Roman Art: John R. Clarke 2. Imaging the Self: Identity and Gender in Representations in a Yiddish Books of Customs: Diane Wolfthal 3. A Sanctified Black: Maurice: Jean Devisse II. Imag(in)ing Race in the Eighteenth and Nineteenth Centuries 4. The Imaginary Orient: Linda Nochlin 5. Only Women should go to Turkey: Henriette Brown and the Orientalist Female Gaze: Reina Lewis 6. The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality: Sander Gilman 7. Going Native: Abigail Solomon-Godeau 8. Racism, Nationalism, and Nostalgia: J. Gray Sweeney 9. Blacks in Shark- Infested Waters: Albert Boime 10. Making a Man of Him: Masculinity and the Black Body in Mid-Nineteenth Century American Sculpture: Michael Hatt III. Modernism and its Primitive Legacy 11. Histories of the Tribal and the Modern: James Clifford 12. The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism: Patricia Leighten 13. New Encounters with Les 'Desmoiselles d' Avignon: Gender, Race, and the Origins of Cubism: Anna C. Chave 14. Wilfredo Lam: Painter of Negritude: Robert Linsley 15. Sargent Johnson: Afro-Californian Modernist: Judith Wilson 16. Horace Pippin's Challenge to Art Criticism: Cornel West 17. In Search of the Inauthentic: Disturbing Signs in Contemporary Native American Art: Jean Fisher 18. Altars of Sacrifice: Re-membering Basquiat: bell hooks IV. Race-ing Us: White, Beige, Brown, and Black in the Twentieth Century 19. International Abstraction in a National Context: Abstract Paintings in Korea, 1910- 1965: Jae- Ryung Roe 20. The Other Immigrant: The Experience and Achievements of Afro-Asian Artists: Rasheed Araeen 21. Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation: Okwui Enwezor 22. Biraciality and Nationhood in Twentieth-Century American Art: Kymberly N. Pinder List of Contributors Permissions
