Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth century. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.

• List of ScoresList of FiguresAcknowledgementsIntroduction Western Classical Music until 1600IntroductionVittoria Aleotti, "Hor che la vaga Aurora"The Cantigas de Santa Maria and the Arabic Influence on Western Art MusicBibliographyScore/RecordingSelected Secondary Sources Music Between 1600 and 1750IntroductionManuel de Sumaya, MiserereThe Network of Women around J.S. BachBibliographyScore/RecordingSelected Secondary Sources Music Between 1750 and 1815IntroductionMarianna Martines, Sonata in E MajorSonata in E-Flat Major, H. XVI: 52 by Joseph Haydn: A Study in Private and Public/Masculine and FeminineBibliographyScore/RecordingSelected Secondary Sources Music Between 1815 and 1915IntroductionHarry T. Burleigh, "Through Moanin’ Pines," in From the Southland African American Critical Response to Antonin Dvořák and the Problem of American MusicBibliographyScore/RecordingSelected Secondary Sources Music after 1915IntroductionChou Wen-Chung, Suite for Harp and Wind QuintetAmerican Nationalism: Florence Price in Counterpoint with Aaron CoplandBibliographyScore/RecordingSelected Secondary SourcesIndex

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Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth century. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.

• List of ScoresList of FiguresAcknowledgementsIntroduction Western Classical Music until 1600IntroductionVittoria Aleotti, "Hor che la vaga Aurora"The Cantigas de Santa Maria and the Arabic Influence on Western Art MusicBibliographyScore/RecordingSelected Secondary Sources Music Between 1600 and 1750IntroductionManuel de Sumaya, MiserereThe Network of Women around J.S. BachBibliographyScore/RecordingSelected Secondary Sources Music Between 1750 and 1815IntroductionMarianna Martines, Sonata in E MajorSonata in E-Flat Major, H. XVI: 52 by Joseph Haydn: A Study in Private and Public/Masculine and FeminineBibliographyScore/RecordingSelected Secondary Sources Music Between 1815 and 1915IntroductionHarry T. Burleigh, "Through Moanin’ Pines," in From the Southland African American Critical Response to Antonin Dvořák and the Problem of American MusicBibliographyScore/RecordingSelected Secondary Sources Music after 1915IntroductionChou Wen-Chung, Suite for Harp and Wind QuintetAmerican Nationalism: Florence Price in Counterpoint with Aaron CoplandBibliographyScore/RecordingSelected Secondary SourcesIndex

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Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth century. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.

• List of ScoresList of FiguresAcknowledgementsIntroduction Western Classical Music until 1600IntroductionVittoria Aleotti, "Hor che la vaga Aurora"The Cantigas de Santa Maria and the Arabic Influence on Western Art MusicBibliographyScore/RecordingSelected Secondary Sources Music Between 1600 and 1750IntroductionManuel de Sumaya, MiserereThe Network of Women around J.S. BachBibliographyScore/RecordingSelected Secondary Sources Music Between 1750 and 1815IntroductionMarianna Martines, Sonata in E MajorSonata in E-Flat Major, H. XVI: 52 by Joseph Haydn: A Study in Private and Public/Masculine and FeminineBibliographyScore/RecordingSelected Secondary Sources Music Between 1815 and 1915IntroductionHarry T. Burleigh, "Through Moanin’ Pines," in From the Southland African American Critical Response to Antonin Dvořák and the Problem of American MusicBibliographyScore/RecordingSelected Secondary Sources Music after 1915IntroductionChou Wen-Chung, Suite for Harp and Wind QuintetAmerican Nationalism: Florence Price in Counterpoint with Aaron CoplandBibliographyScore/RecordingSelected Secondary SourcesIndex

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