Queering the Gothic

William Hughes is Professor of Gothic Studies at Bath Spa University. Andrew Smith is Professor of English Studies at the University of Glamorgan where he is Co-Director of the Research Centre for Literature, Arts and Science (RCLAS)

• AcknowledgementsIntroduction: Queering the Gothic - William Hughes and Andrew Smith1. ‘Love in a Convent’: Or, Gothic and the Perverse Father of Queer Enjoyment - Dale Townshend2. ‘Do You Share My Madness?’: Frankenstein’s Queer Gothic - Mair Rigby3. Daniel Deronda’s Jewish Panic - Royce Mahawatte4. ‘That mighty love which maddens one to crime’: Medicine Masculinity, Same-Sex Desire and the Gothic in Teleny - Diane Mason5. Gothic Landscapes, Imperial Collapse, and the Queering of Adela Quested in E. M. Forster’s A Passage to India - Ardel Thomas6. Antonia White’s Frost in May: Gothic Mansions, Ghosts and Particular Friendships - Paulina Palmer7. Devouring Desires: Lesbian Gothic Horror - Gina Wisker8. ‘The taste of blood meant the end of aloneness’.Vampires and Gay Men in Poppy Z. Brite’s Lost Souls - William Hughes9. Michael Jackson’s Queer Funk - Steven Bruhm10. Death, Art, and Bodies: Queering the Queer Gothic in Will Self’s Dorian - Andrew SmithNotes on ContributorsIndex

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