Queen Victoria's Bathing Machine

Gloria Whelan is an award-winning and critically acclaimed author of many books for children and young adults. She won the National Book Award for young people’s literature for her novel Homeless Bird. A versatile author of historical and contemporary fiction for children and young adults, as well as short stories and poetry for adults, Whelan is, according to Liz Rosenberg in the Chicago Tribune, “an accomplished, graceful, and intelligent writer.” She lives in Grosse Pointe, Michigan, and you can visit her at GloriaWhelan.com.Nancy Carpenter is the acclaimed illustrator of Thomas Jefferson and the Mammoth Hunt, Queen Victoria’s Bathing Machine, Fannie in the Kitchen, and Loud Emily, among other books. Her works have garnered many honors, including a Robert F. Sibert Informational Book Honor and a California Young Reader Medal. She lives in Brooklyn, New York. Visit her at NancyCarpenter.website.

Queen Victoria’s Bathing Machine by Gloria Whelan; illus. by Nancy Carpenter How could Queen Victoria get into the sea on a hot day? Modesty decreed that she mustn’t be seen in her bathing costume. It’s Prince Albert to the rescue with a queen-sized bathing machine—large enough to fit the queen and her lady-in-waiting, and with wheels to roll it into the sea, where the waters would conceal Her Majesty. This entertaining story nicely encapsulates a curious bit of social history, though its glimpse of the royal family is as much fantastical as realistic, with a jaunty tall-tale tone governing a rhymed text (delighted with his creation, Prince Albert crows, “Let me tell you, my dear, what I propose. / You enter the back door wearing all of your clothes. / Off comes your dress, off come your rings, / off come all those unmentionable things”). Carpenter ably limns eight or so children in lively attendance, riding globes or peering through telescopes while Albert studies catapults or “old wars both Spartan and Punic.” The stifling frills and furbelows of Victorian dress; the loving couple’s delight in each other; and jacket art of the queen frolicking underwater in her voluminous black swimming costume, a minnow in her crown—Carpenter renders each in comical detail. A concluding note features a present-day photo of the commodious vehicle. A bibliography of Victoriana for various ages is appended.