We finally get a chance to witness von Stroheim's intended juxtaposed and parallel themes that show how little separates the debauchery of both the low and privileged classes, similar to the parallel themes of the intended full-length version of Greed (1924). We come to understand that von Stroheim may have seemed to be wildly out-of-control but was, instead perhaps, only fanatical in his pursuit of his vision of cinema realistique… Ultimately, this book is a required acquisition for fans of von Stroheim, one that is on the same level of importance as Herman Weinberg's volumes on von Stroheim films.