Del 95 - Contemporary French and Francophone Cultures

Quebec Cinema in the 21st Century

Transcending the National

Häftad, Engelska, 2026

AvMichael Gott,Michael Gott,Thibaut Schilt

659 kr

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This collection of ten chapters and three original interviews with Québécois filmmakers focuses on the past two decades of Quebec cinema and takes an in-depth look at a (primarily) Montreal-based filmmaking industry whose increasingly diverse productions continue to resist the hegemony of Hollywood and to exist as a visible and successful hub of French-language – and ever more multilingual – cinema in North America. This volume picks up where Bill Marshall’s 2001 Quebec National Cinema ends to investigate the inherently global nature of Quebec’s film industry and cinematic output since the beginning of the new millennium. Through their analyses of contemporary films (Une colonie, Avant les rues, Bon cop, bad cop, Les Affamés, Tom à la ferme, Uvanga, among others), directors (including Xavier Dolan, Denis Côté, Sophie Desrape, Chloé Robichaud, Jean-Marc Vallée, and Monia Chokri) and genres (such as the buddy comedy and the zombie film), our authors examine the growing tension between Quebec cinema as a “national cinema” and as an art form that reflects the transnationalism of today’s world, a new form of fluidity of individual experiences, and an increasing on-screen presence of Indigenous subjects, both within and outside the borders of the province. The book concludes with specially conducted interviews with filmmakers Denis Chouinard, Bachir Bensadekk, and Marie-Hélène Cousineau, who provide their views and insights on contemporary Quebec filmmaking.

Produktinformation

Utgivningsdatum2026-02-03
Mått156 x 234 x undefined mm
FormatHäftad
SpråkEngelska
SerieContemporary French and Francophone Cultures
Antal sidor256
FörlagLiverpool University Press
ISBN9781805965626

Tillhör följande kategorier

Film inom Kultur
Kultur och medier inom Samhälle och politik

Introduction - Michael Gott and Thibaut SchiltPART I: (Re)definitionsChapter 1 - Michael Gott: Drawing Outside the Lines: Re-bordering the World of Quebec CinemaChapter 2: Karine Bertrand: Arnait Video Productions and the Fictional Work of the Inuit/Québécois CollectiveChapter 3 - Ylenia Olibet: Chloé Robichaud and Sophie Deraspe: Women Auteurs on the International Film Festival CircuitPART II: Trends & GenresChapter 4 - Julie-Françoise Tolliver: Around the Fire: Contemporary Québécois Cinema and the Endangered ForestChapter 5 - Stéfany Boisvert: “Buddies” to the Rescue: The Transnational Redefinition of Quebec Popular Cinema in the 21st CenturyChapter 6 - Bill Marshall: Genre Cinema and Colonialism: First Nations Meet ZombiesPART III: Case StudiesChapter 7 - Gemma King: Between Montreal and Los Angeles: Centrifugal and Centripetal Forces in the Transnational Cinemas of Jean-Marc Vallée and Denis VilleneuveChapter 8 - Thibaut Schilt: Denis Côté on the Road from Radisson to LocarnoChapter 9 - Mercédès Baillargeon: Impossible Queerness in Three Transnational Films by Xavier DolanChapter 10 - Loïc Bourdeau and Peadar Kearney: Exploring and Transcending Québécité in Xavier Dolan’s Matthias & Maxime and Monia Chokri’s La femme de mon frèreInterviewsFrom Film School to the Big Screen: the “Quebec Label” in the 21st Century - An Interview with Denis Chouinard - By Michael GottTransnationalism and the Québécois film industry: An interview with Bachir Bensaddek - By Kirsten SmithAn Interview with Marie-Hélène Cousineau on the Arnait Trilogy - By Karine Bertrand

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Del 95