Mette Hjort is Associate Professor of Comparative Literature and Film Studies at the University of Hong Kong and Associate Professor in Aalborg University in Denmark. She has written, edited and co-edited a number of books, including Cinema and Nation (2002) and The Danish Directors: Dialogues on a Contemporary National Cinema (2001). Scott MacKenzie is Lecturer in Film and Television Studies at the University of East Anglia. He is co-editor of Cinema and Nation (2000) and author of Screening Quebec: Quebecois Cinema, National Identity and the Public Sphere. (2002).

• Introduction, Mette Hjort and Scott MacKenzie The Dogma Manifesto: Antecedents and Extensions Peter Schepelern, 'Kill Your Darlings: Lars von Trier and the Origin of Dogme 95' Scott MacKenzie, 'Film-makers of the World Unite! Dogme '95 and the Film Manifesto Murray Smith, 'Characterisation and Performance: Dogme '95 and New American Cinema' Ib Bondebjerg, 'Dogme '95 and the Danish "New-New Wave"' NoIl Carroll and Sally Banes, 'Dogme Dance' Dogme '95 and Film Theory Jon Elster, 'Creativity and Constraint' Catherine Grant, 'The Director Must Be Credited: Authorship, Auteurism and the Films of Dogme '95' Paisley Livingston, 'Artistic Self-Reflexivity in The King is Alive and Strass' Berys Gaut 'Naked Film: Dogma and Its Limits' Dogme '95: National and Transnational Dimensions Martin Roberts, 'Decoding D-Dag: Multi-Channel Television at the Millenium' Ginette Vincendeau, 'The Lovers and French Contemporary Cinema' Yvonne Tasker, 'Indie Cinema and Dogme '95' Mads Egmont Christensen 'Dogme 95 and Marketing' Mette Hjort 'Dogme 95: A Small Nation's Response to Globalisation' Index