• List of illustrations; Preface; Introduction: in search of Purcell's character Curtis Price; 1. Purcell's great autographs Robert Thompson; 2. Purcell as collector of 'ancient' music: Fitzwilliam MS 88 Robert Shay; 3. Purcell's revisions of his own works Rebecca Herissone; 4. New light on Purcell's keyboard music Curtis Price; 5. Purcell and Roseingrave: a new autograph Peter Holman; 6. 'Only Purcell e're shall equal Blow' Bruce Wood; 7. Purcell's odes: propaganda and panegyric Ian Spink; 8. Purcell, Blow and the English court ode Martin Adams; 9. Continuity and tempo in Purcell's vocal works A. Margaret Laurie; 10. Poetic metre, musical metre and the dance in Purcell's songs Katherine Rohrer; 11. King Arthur expos'd: a lesson in anatomy Andrew Pinnock; 12. King Arthur's journey into the eighteenth-century Ellen T. Harris; Afterword: a portrait of Henry Purcell Janet Snowman; Index.

'… rich in specialist debate and musical extracts.' The Spectator

• List of illustrations; Preface; Introduction: in search of Purcell's character Curtis Price; 1. Purcell's great autographs Robert Thompson; 2. Purcell as collector of 'ancient' music: Fitzwilliam MS 88 Robert Shay; 3. Purcell's revisions of his own works Rebecca Herissone; 4. New light on Purcell's keyboard music Curtis Price; 5. Purcell and Roseingrave: a new autograph Peter Holman; 6. 'Only Purcell e're shall equal Blow' Bruce Wood; 7. Purcell's odes: propaganda and panegyric Ian Spink; 8. Purcell, Blow and the English court ode Martin Adams; 9. Continuity and tempo in Purcell's vocal works A. Margaret Laurie; 10. Poetic metre, musical metre and the dance in Purcell's songs Katherine Rohrer; 11. King Arthur expos'd: a lesson in anatomy Andrew Pinnock; 12. King Arthur's journey into the eighteenth-century Ellen T. Harris; Afterword: a portrait of Henry Purcell Janet Snowman; Index.

'… rich in specialist debate and musical extracts.' The Spectator

• List of illustrations; Preface; Introduction: in search of Purcell's character Curtis Price; 1. Purcell's great autographs Robert Thompson; 2. Purcell as collector of 'ancient' music: Fitzwilliam MS 88 Robert Shay; 3. Purcell's revisions of his own works Rebecca Herissone; 4. New light on Purcell's keyboard music Curtis Price; 5. Purcell and Roseingrave: a new autograph Peter Holman; 6. 'Only Purcell e're shall equal Blow' Bruce Wood; 7. Purcell's odes: propaganda and panegyric Ian Spink; 8. Purcell, Blow and the English court ode Martin Adams; 9. Continuity and tempo in Purcell's vocal works A. Margaret Laurie; 10. Poetic metre, musical metre and the dance in Purcell's songs Katherine Rohrer; 11. King Arthur expos'd: a lesson in anatomy Andrew Pinnock; 12. King Arthur's journey into the eighteenth-century Ellen T. Harris; Afterword: a portrait of Henry Purcell Janet Snowman; Index.

'… rich in specialist debate and musical extracts.' The Spectator