• Preface; Acknowledgements; 1. Introduction: manuscript sources and Purcell's music; 2. Fitzwilliam Museum Music MS 88 and three principal concordances; 3. British Library Additional MS 30930 and its repertories; 4. British Library Royal Music 20.h.8 and its repertories; 5. Performing materials from the London sacred establishments and other sacred sources; 6. Music for the theatre; 7. Vocal, keyboard and instrumental music; Appendix 1. Identified copyists and early owners; Appendix 2. Unidentified copyists; Bibliography; Indexes.

'It is no exaggeration to say that it is the most important contribution to Purcell scholarship since the appearance of Franklin Zimmerman's analytical catalogue of Purcell's music in 1963 … All in all, this book is likely to remain a standard work of reference for a long time to come.' Musical Times

• Preface; Acknowledgements; 1. Introduction: manuscript sources and Purcell's music; 2. Fitzwilliam Museum Music MS 88 and three principal concordances; 3. British Library Additional MS 30930 and its repertories; 4. British Library Royal Music 20.h.8 and its repertories; 5. Performing materials from the London sacred establishments and other sacred sources; 6. Music for the theatre; 7. Vocal, keyboard and instrumental music; Appendix 1. Identified copyists and early owners; Appendix 2. Unidentified copyists; Bibliography; Indexes.

'It is no exaggeration to say that it is the most important contribution to Purcell scholarship since the appearance of Franklin Zimmerman's analytical catalogue of Purcell's music in 1963 … All in all, this book is likely to remain a standard work of reference for a long time to come.' Musical Times

• Preface; Acknowledgements; 1. Introduction: manuscript sources and Purcell's music; 2. Fitzwilliam Museum Music MS 88 and three principal concordances; 3. British Library Additional MS 30930 and its repertories; 4. British Library Royal Music 20.h.8 and its repertories; 5. Performing materials from the London sacred establishments and other sacred sources; 6. Music for the theatre; 7. Vocal, keyboard and instrumental music; Appendix 1. Identified copyists and early owners; Appendix 2. Unidentified copyists; Bibliography; Indexes.

'It is no exaggeration to say that it is the most important contribution to Purcell scholarship since the appearance of Franklin Zimmerman's analytical catalogue of Purcell's music in 1963 … All in all, this book is likely to remain a standard work of reference for a long time to come.' Musical Times