Jodi Dean is Associate Professor of Political Science at Hobart and William Smith Colleges. She is the author of Aliens in America: Conspiracy Cultures from Outerspace to Cyberspace and the editor of Cultural Studies and Political Theory, both from Cornell.

• AcknowledgmentsIntroduction: Communicative Capitalism: The Ideological Matrix1. Publicity's Secret2. Conspiracy's Desire3. Little Brothers4. Celebrity's DriveConclusion: Neo-DemocracyNotesIndex

Cultural theorist Jodi Dean's latest book tackles the issue of the public sphere in a refreshingly contemporary and relevant way by focusing on the role of the technological media in the exercise of public democracy.... One of the most interesting discussions in the book is that of subjectification in terms of a drive toward celebrity, which seems to suggest, in a Sartrean vein, that we experience existence only in the eyes of multiple beholders.... The book serves, however, to raise the question of what democracy would look like without the rational monolith of 'the public' and goes some way to clearing the ground that has served to bolster this (from Dean's perspective) dangerous avoidance tactic.- Kieran Laird (Contemporary Political Theory) Dean discusses how the popular belief in truth in reporting and fairness in the media is almost entirely a myth.... Dean's voice joins a number of other intellectuals such as Ishmael Reed, Joshua Micah Marshall, and Eric Alterman that have come out in favor of critical thinking in our age of Homeland Security Departments and the Office of Information Awareness. With a little luck maybe others will follow their lead.- Chris Cobb (Leonardo) Dean's book coalesces a number of approaches to the public and publicity, ranging from political theory to psychoanalysis and cultural studies. It identifies a new and consequential amalgam of public and new technologies. It warns of the dangers posed by information overload and generalized skepticism.- Esther Leslie (Radical Philosophy) For Dean, the modern, and now postmodern, public sphere has always been based upon the integral relationship between secrecy and publicity.... Revealing secrets legitimizes the public realm, a public, however, that never really exists. 'The public' is a simulated, technocultural construct that most people believe actually operates as a democratic representation of 'the people.' It does not.- Wayne Gabardi (Perspectives on Politics) The World Wide Web has made those with access wary of surveillance, loss of privacy, identity theft, lurking, fraud, scams.... Ideology itself, in Dean's argument, has been fundamentally altered under the regime of technoculture. Communication is the new ideology; it has survived the most recent crash of Silicon Valley stock options and taken the place of production.... Dean speaks with an intelligent and important analytic voice about the seductions and dangers of the wired, media-drenched universe. In this universe, the rule of law has morphed into the rule of artificially manufactured public opinion, and what is not publicized does not exist.- Julia Epstein (Women's Review of Books)

Jodi Dean is Associate Professor of Political Science at Hobart and William Smith Colleges. She is the author of Aliens in America: Conspiracy Cultures from Outerspace to Cyberspace and the editor of Cultural Studies and Political Theory, both from Cornell.

• AcknowledgmentsIntroduction: Communicative Capitalism: The Ideological Matrix1. Publicity's Secret2. Conspiracy's Desire3. Little Brothers4. Celebrity's DriveConclusion: Neo-DemocracyNotesIndex

Cultural theorist Jodi Dean's latest book tackles the issue of the public sphere in a refreshingly contemporary and relevant way by focusing on the role of the technological media in the exercise of public democracy.... One of the most interesting discussions in the book is that of subjectification in terms of a drive toward celebrity, which seems to suggest, in a Sartrean vein, that we experience existence only in the eyes of multiple beholders.... The book serves, however, to raise the question of what democracy would look like without the rational monolith of 'the public' and goes some way to clearing the ground that has served to bolster this (from Dean's perspective) dangerous avoidance tactic.- Kieran Laird (Contemporary Political Theory) Dean discusses how the popular belief in truth in reporting and fairness in the media is almost entirely a myth.... Dean's voice joins a number of other intellectuals such as Ishmael Reed, Joshua Micah Marshall, and Eric Alterman that have come out in favor of critical thinking in our age of Homeland Security Departments and the Office of Information Awareness. With a little luck maybe others will follow their lead.- Chris Cobb (Leonardo) Dean's book coalesces a number of approaches to the public and publicity, ranging from political theory to psychoanalysis and cultural studies. It identifies a new and consequential amalgam of public and new technologies. It warns of the dangers posed by information overload and generalized skepticism.- Esther Leslie (Radical Philosophy) For Dean, the modern, and now postmodern, public sphere has always been based upon the integral relationship between secrecy and publicity.... Revealing secrets legitimizes the public realm, a public, however, that never really exists. 'The public' is a simulated, technocultural construct that most people believe actually operates as a democratic representation of 'the people.' It does not.- Wayne Gabardi (Perspectives on Politics) The World Wide Web has made those with access wary of surveillance, loss of privacy, identity theft, lurking, fraud, scams.... Ideology itself, in Dean's argument, has been fundamentally altered under the regime of technoculture. Communication is the new ideology; it has survived the most recent crash of Silicon Valley stock options and taken the place of production.... Dean speaks with an intelligent and important analytic voice about the seductions and dangers of the wired, media-drenched universe. In this universe, the rule of law has morphed into the rule of artificially manufactured public opinion, and what is not publicized does not exist.- Julia Epstein (Women's Review of Books)

Jodi Dean is Associate Professor of Political Science at Hobart and William Smith Colleges. She is the author of Aliens in America: Conspiracy Cultures from Outerspace to Cyberspace and the editor of Cultural Studies and Political Theory, both from Cornell.

• AcknowledgmentsIntroduction: Communicative Capitalism: The Ideological Matrix1. Publicity's Secret2. Conspiracy's Desire3. Little Brothers4. Celebrity's DriveConclusion: Neo-DemocracyNotesIndex

Cultural theorist Jodi Dean's latest book tackles the issue of the public sphere in a refreshingly contemporary and relevant way by focusing on the role of the technological media in the exercise of public democracy.... One of the most interesting discussions in the book is that of subjectification in terms of a drive toward celebrity, which seems to suggest, in a Sartrean vein, that we experience existence only in the eyes of multiple beholders.... The book serves, however, to raise the question of what democracy would look like without the rational monolith of 'the public' and goes some way to clearing the ground that has served to bolster this (from Dean's perspective) dangerous avoidance tactic.- Kieran Laird (Contemporary Political Theory) Dean discusses how the popular belief in truth in reporting and fairness in the media is almost entirely a myth.... Dean's voice joins a number of other intellectuals such as Ishmael Reed, Joshua Micah Marshall, and Eric Alterman that have come out in favor of critical thinking in our age of Homeland Security Departments and the Office of Information Awareness. With a little luck maybe others will follow their lead.- Chris Cobb (Leonardo) Dean's book coalesces a number of approaches to the public and publicity, ranging from political theory to psychoanalysis and cultural studies. It identifies a new and consequential amalgam of public and new technologies. It warns of the dangers posed by information overload and generalized skepticism.- Esther Leslie (Radical Philosophy) For Dean, the modern, and now postmodern, public sphere has always been based upon the integral relationship between secrecy and publicity.... Revealing secrets legitimizes the public realm, a public, however, that never really exists. 'The public' is a simulated, technocultural construct that most people believe actually operates as a democratic representation of 'the people.' It does not.- Wayne Gabardi (Perspectives on Politics) The World Wide Web has made those with access wary of surveillance, loss of privacy, identity theft, lurking, fraud, scams.... Ideology itself, in Dean's argument, has been fundamentally altered under the regime of technoculture. Communication is the new ideology; it has survived the most recent crash of Silicon Valley stock options and taken the place of production.... Dean speaks with an intelligent and important analytic voice about the seductions and dangers of the wired, media-drenched universe. In this universe, the rule of law has morphed into the rule of artificially manufactured public opinion, and what is not publicized does not exist.- Julia Epstein (Women's Review of Books)