Arguing that 'the reality of PTSD is far greater than that given it by medical sciences,' Lembcke sets about separating the diagnostic wheat from the cultural, economic, and political chaff. He illustrates the influence of film, theater, television, and news coverage on the tangled story of war trauma. Headlining the compelling victim-veteran role that US society expects of returning combat veterans, Lembcke covers a variety of interesting sociological topics–for example, 'wannabe vets' and how PTSD is used as an alibi for homicide, failed marriages, and other personal problems. The author challenges the status quo by chronicling the social construction of PTSD and traumatic brain injury–that is, circumstances in which empirical reality or critical thinking is often not the umpire. What sets this book apart is the author's take on how media representations have hijacked the diagnosis of war trauma. Summing Up: Recommended. Graduate students, faculty, clinicians, and patients.