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This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
Paul Hackett works at Emerson College, USA and is an academic visitor in the philosophy department, Oxford University, UK. He is a psychologist with research interests that cross other disciplines, including philosophy and neuroscience with a concentration on categorial behaviour.
Preface.- Chapter 1. Defining Two-Dimensional Abstract Art.- Chapter 2. Theorising Perception.- Chapter 3. Expanding Theoretical Complexity.- Chapter 4. Perceptual Content, Process and Categorial Ontologies.- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.