O. Gabbard, Glen

• Introduction -- The End of Time: A Psychoanalytic Perspective on Ingmar Bergman’s Wild Strawberries -- Hitchcock’s Vertigo: The Collapse of a Rescue Fantasy -- Neil Jordan’s The Crying Game -- Hidden in the Imagery: An Unconscious Scene in The Conformist -- ‘Ah Doctor, is there Nothin’ I Can Take?’: A Review of Reservoir Dogs -- Arthur Penn’s Night Moves: A Film that Interprets Us -- Lone Star: Signs, Borders and Thresholds -- Letters, Words and Metaphors: A Psychoanalytic Reading of Michael Radford’s Il Postino -- Truffaut and the Failure of Introjection -- I Have Not Spoken: Silence in The Piano -- Over-Exposure: Terry Zwigoff’s Crumb -- Narrating Desire and Desiring Narration: A Psychoanalytic Reading of The English Patient -- The Remains of the Day -- Deconstructing Dirty Harry: Clint Eastwood’s Undoing of the Hollywood Myth of Screen Masculinity in Play ‘Misty’ For Me -- The Thing from Inner Space: Titanic and Deep Impact -- Chinatown -- Saving Private Ryan’s Surplus Repression -- M (1931) -- Remembering and Repeating in Eve’s Bayou -- Watching Voyeurs: Michael Powell’s Peeping Tom (1960) -- Egoyan’s Exotica: Where does the Real Horror Reside? -- The Real Thing? Some Thoughts on Boys Don’t Cry -- Fifteen Minutes of Fame Revisited: Being John Malkovich -- The Sixth Sense