César Aira is a translator as well as the author of around 80 books of his own – so far. He declared that he might have become a painter if it weren’t so difficult (“the paint, the brushes, having to clean it all”). He was born in Coronel Pringles, Argentina, and moved to Buenos Aires in 1967 at the age of eighteen and was, by his own admission, “a young militant leftist, with the notion of writing big realist novels.” By 1972, after a brief spell in prison following a student demonstration, he was writing anything but.His writing is considered to be among the most important and influential in Latin America today, and is marked by extreme eccentricity and innovation, as well as an aesthetic restlessness and a playful spirit. He is without a doubt the true heir to Jorge Luís Borges’ literature of ideas. He has been called many things: “slippery” (The Nation), “too smart” (New York Sun), “infuriating” (New York Times Book Review) and a writer of “perplexing episodes” (New York Review of Books). He’s also been called “one of the three or four best writers working in Spanish today” (Roberto Bolaño) and the “most original, shocking, exciting and subversive Spanish-language author of our day” (Ignacio Echevarría). Patti Smith was “quickly seduced” when she read The Seamstress and the Wind, and admits that seeing him at a writer’s conference: “I was so excited at his presence that I bounded his way like a St. Bernard”.

'Hail Cesar!' Patti Smith ---------- 'Bewitching and bewildering ... Compulsively readable ... Aira's writing - with its equal measures of rich complications and airy whimsies - combines brevity with so many possible meanings.' Arifa Akbar, Financial Times ---------- 'Aira writes at full tilt, going where the words take him (a style he calls "constant flight forward") so that reading him is dizzying.' Jane Housham, The Guardian ---------- 'Aira is firmly in the tradition of Jorge Luis Borges and W. G. Sebald.' Mark Doty, Los Angeles Times ---------- 'Aira is one of the most provocative and idiosyncratic novelists working in Spanish today, and should not be missed.' New York Times Book Review ---------- 'Along with a daring sense of fun, Aira has a playful imagination and the ability to spin a yarn as intricate as a spider's web.' Eileen Battersby, Irish Times ---------- 'If there is one contemporary writer who defies classification, it is Cesar Aira. His novels seem to put the theories of Gombrowicz into practice, except, and the difference is fundamental, that Gombrowicz was the abbot of a luxurious imaginary monastery, while Aira is a nun or novice among the Discalced Carmelites of the Word. Sometimes he is reminiscent of Roussel (Roussel on his knees in a bath red with blood), but the only living writer to whom he can be compared is Barcelona's Enrique Vila-Matas.' Roberto Bolano ---------- 'Cesar Aira is writing a gigantic, headlong, acrobatic fresco of modern life entirely made up of novelettes, novellas, novelitas... In other words, he is a great literary trickster, and also one of the most charming.' Adam Thirlwell ---------- 'Aira's works are like slim cabinets of wonder, full of unlikely juxtapositions. His unpredictability is masterful.' Rivka Galchen

César Aira is a translator as well as the author of around 80 books of his own – so far. He declared that he might have become a painter if it weren’t so difficult (“the paint, the brushes, having to clean it all”). He was born in Coronel Pringles, Argentina, and moved to Buenos Aires in 1967 at the age of eighteen and was, by his own admission, “a young militant leftist, with the notion of writing big realist novels.” By 1972, after a brief spell in prison following a student demonstration, he was writing anything but.His writing is considered to be among the most important and influential in Latin America today, and is marked by extreme eccentricity and innovation, as well as an aesthetic restlessness and a playful spirit. He is without a doubt the true heir to Jorge Luís Borges’ literature of ideas. He has been called many things: “slippery” (The Nation), “too smart” (New York Sun), “infuriating” (New York Times Book Review) and a writer of “perplexing episodes” (New York Review of Books). He’s also been called “one of the three or four best writers working in Spanish today” (Roberto Bolaño) and the “most original, shocking, exciting and subversive Spanish-language author of our day” (Ignacio Echevarría). Patti Smith was “quickly seduced” when she read The Seamstress and the Wind, and admits that seeing him at a writer’s conference: “I was so excited at his presence that I bounded his way like a St. Bernard”.

'Hail Cesar!' Patti Smith ---------- 'Bewitching and bewildering ... Compulsively readable ... Aira's writing - with its equal measures of rich complications and airy whimsies - combines brevity with so many possible meanings.' Arifa Akbar, Financial Times ---------- 'Aira writes at full tilt, going where the words take him (a style he calls "constant flight forward") so that reading him is dizzying.' Jane Housham, The Guardian ---------- 'Aira is firmly in the tradition of Jorge Luis Borges and W. G. Sebald.' Mark Doty, Los Angeles Times ---------- 'Aira is one of the most provocative and idiosyncratic novelists working in Spanish today, and should not be missed.' New York Times Book Review ---------- 'Along with a daring sense of fun, Aira has a playful imagination and the ability to spin a yarn as intricate as a spider's web.' Eileen Battersby, Irish Times ---------- 'If there is one contemporary writer who defies classification, it is Cesar Aira. His novels seem to put the theories of Gombrowicz into practice, except, and the difference is fundamental, that Gombrowicz was the abbot of a luxurious imaginary monastery, while Aira is a nun or novice among the Discalced Carmelites of the Word. Sometimes he is reminiscent of Roussel (Roussel on his knees in a bath red with blood), but the only living writer to whom he can be compared is Barcelona's Enrique Vila-Matas.' Roberto Bolano ---------- 'Cesar Aira is writing a gigantic, headlong, acrobatic fresco of modern life entirely made up of novelettes, novellas, novelitas... In other words, he is a great literary trickster, and also one of the most charming.' Adam Thirlwell ---------- 'Aira's works are like slim cabinets of wonder, full of unlikely juxtapositions. His unpredictability is masterful.' Rivka Galchen

César Aira is a translator as well as the author of around 80 books of his own – so far. He declared that he might have become a painter if it weren’t so difficult (“the paint, the brushes, having to clean it all”). He was born in Coronel Pringles, Argentina, and moved to Buenos Aires in 1967 at the age of eighteen and was, by his own admission, “a young militant leftist, with the notion of writing big realist novels.” By 1972, after a brief spell in prison following a student demonstration, he was writing anything but.His writing is considered to be among the most important and influential in Latin America today, and is marked by extreme eccentricity and innovation, as well as an aesthetic restlessness and a playful spirit. He is without a doubt the true heir to Jorge Luís Borges’ literature of ideas. He has been called many things: “slippery” (The Nation), “too smart” (New York Sun), “infuriating” (New York Times Book Review) and a writer of “perplexing episodes” (New York Review of Books). He’s also been called “one of the three or four best writers working in Spanish today” (Roberto Bolaño) and the “most original, shocking, exciting and subversive Spanish-language author of our day” (Ignacio Echevarría). Patti Smith was “quickly seduced” when she read The Seamstress and the Wind, and admits that seeing him at a writer’s conference: “I was so excited at his presence that I bounded his way like a St. Bernard”.

'Hail Cesar!' Patti Smith ---------- 'Bewitching and bewildering ... Compulsively readable ... Aira's writing - with its equal measures of rich complications and airy whimsies - combines brevity with so many possible meanings.' Arifa Akbar, Financial Times ---------- 'Aira writes at full tilt, going where the words take him (a style he calls "constant flight forward") so that reading him is dizzying.' Jane Housham, The Guardian ---------- 'Aira is firmly in the tradition of Jorge Luis Borges and W. G. Sebald.' Mark Doty, Los Angeles Times ---------- 'Aira is one of the most provocative and idiosyncratic novelists working in Spanish today, and should not be missed.' New York Times Book Review ---------- 'Along with a daring sense of fun, Aira has a playful imagination and the ability to spin a yarn as intricate as a spider's web.' Eileen Battersby, Irish Times ---------- 'If there is one contemporary writer who defies classification, it is Cesar Aira. His novels seem to put the theories of Gombrowicz into practice, except, and the difference is fundamental, that Gombrowicz was the abbot of a luxurious imaginary monastery, while Aira is a nun or novice among the Discalced Carmelites of the Word. Sometimes he is reminiscent of Roussel (Roussel on his knees in a bath red with blood), but the only living writer to whom he can be compared is Barcelona's Enrique Vila-Matas.' Roberto Bolano ---------- 'Cesar Aira is writing a gigantic, headlong, acrobatic fresco of modern life entirely made up of novelettes, novellas, novelitas... In other words, he is a great literary trickster, and also one of the most charming.' Adam Thirlwell ---------- 'Aira's works are like slim cabinets of wonder, full of unlikely juxtapositions. His unpredictability is masterful.' Rivka Galchen