Vicki Mayer is Assistant Professor of Communication at Tulane University. She is author of Producing Dreams, Consuming Youth: Mexican Americans and Mass Media.Miranda J. Banks is Assistant Professor of Visual and Media Arts at Emerson College. John Thornton Caldwell is Professor of Film, Television, and Digital Media at UCLA. He has authored and edited several books, including Televisuality: Style, Crisis and Authority in American Television, Electronic Media and Technoculture, New Media: Digitextual Theories and Practices, and Production Culture: Industrial Reflexivity and Critical Practice in Film and Television.

• Introduction: Production Studies: Roots and Routes, Vicki Mayer, Miranda J. Banks, and John Thornton CaldwellPart One: Histories of Media Production Studies 1. Bringing the Social Back In: Studies of Production Cultures and Social Theory, Vicki Mayer2. Industry-Level Studies and the Contributions of Gitlin’s Inside Prime Time, AmandaD. Lotz 3. Leo C. Rosten's Hollywood: Power, Status, and the Primacy of Economic and Social Networks in Cultural Production, John L. Sullivan4. Privilege and Distinction in Production Worlds: Copyright, Collective Bargaining, and Working Conditions in Media Making, Matt StahlPart Two: Producers: Selves and Others 5. Self-Serve Celebrity: The Production of Ordinariess and the Ordinariness of Production in Reality Television, Laura Grindstaff 6. Feminism Below-the-Line: Defining Feminist Production Studies, Miranda J. Banks7. It's Not TV, It’s Brand Management TV: The Collective Author(s) of the Lost Franchise, Denise Mann8. Showrunning the Doctor Who Franchise: A Response to Denise Mann, Christine CorneaPart Three: Production Spaces: Centers and Peripheries9. Liminal Places and Spaces: Public/Private Considerations, Candace Moore10. "Not in Kansas Anymore": Transnational Collaboration in Television Science Fiction Production, Jane Landman11. Crossing the Border: Studying Canadian Television Production, Elana Levine12. Borders of Production Research: A Response to Elana Levine, Serra TinicPart Four: Production as Lived Experience13. Studying Sideways: Ethnographic Access in Hollywood, Sherry Ortner14. Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood, Stephen Zafirau 15. Lights, Camera, but Where’s the Action? Actor-Network Theory and the Production of Robert Connolly's Three Dollars, Oli Mould16. Both Sides of the Fence: Blurred Distinctions in Scholarhip and Production (A Portfoloio of Interviews), John Caldwell. The Craft Association, Paul Malcolm. Hollywood Assistanting, Erin Hill. The Writer's Room, Felicia D. Henderson. Select BibliographyList of ContributorsIndex

"Production Studies's collection of insightful essays by academics from a range of disciplines presents a superb example of precisely the kind of complex, collaborative work their essays elucidate. Incorporating material from interviews with a range of industry professionals, interrogating both industry practices and the scholarship that has explored them, this book speaks to some of the most pressing issues in the current media studies agenda."--Michele Hilmes, author of NBC: America's Network"Arriving at a time when the analysis of cultural and material production, in all its forms, has perhaps never been so critical, this rich and diverse collection of essays is a vital contribution to media production studies. The contributors offer a variety of insightful accounts of production culture, approaching it from perspectives including anthropology, cultural studies, feminism, and political economy, and highlighting many different production modes, levels, and locales. Production Studies is the new benchmark for this important and rapidly evolving field, and will influence media scholars and practitioners for years to come."--Derek Kompare, author of Rerun Nation: How Repeats Invented American Television

Vicki Mayer is Assistant Professor of Communication at Tulane University. She is author of Producing Dreams, Consuming Youth: Mexican Americans and Mass Media.Miranda J. Banks is Assistant Professor of Visual and Media Arts at Emerson College. John Thornton Caldwell is Professor of Film, Television, and Digital Media at UCLA. He has authored and edited several books, including Televisuality: Style, Crisis and Authority in American Television, Electronic Media and Technoculture, New Media: Digitextual Theories and Practices, and Production Culture: Industrial Reflexivity and Critical Practice in Film and Television.

• Introduction: Production Studies: Roots and Routes, Vicki Mayer, Miranda J. Banks, and John Thornton CaldwellPart One: Histories of Media Production Studies 1. Bringing the Social Back In: Studies of Production Cultures and Social Theory, Vicki Mayer2. Industry-Level Studies and the Contributions of Gitlin’s Inside Prime Time, AmandaD. Lotz 3. Leo C. Rosten's Hollywood: Power, Status, and the Primacy of Economic and Social Networks in Cultural Production, John L. Sullivan4. Privilege and Distinction in Production Worlds: Copyright, Collective Bargaining, and Working Conditions in Media Making, Matt StahlPart Two: Producers: Selves and Others 5. Self-Serve Celebrity: The Production of Ordinariess and the Ordinariness of Production in Reality Television, Laura Grindstaff 6. Feminism Below-the-Line: Defining Feminist Production Studies, Miranda J. Banks7. It's Not TV, It’s Brand Management TV: The Collective Author(s) of the Lost Franchise, Denise Mann8. Showrunning the Doctor Who Franchise: A Response to Denise Mann, Christine CorneaPart Three: Production Spaces: Centers and Peripheries9. Liminal Places and Spaces: Public/Private Considerations, Candace Moore10. "Not in Kansas Anymore": Transnational Collaboration in Television Science Fiction Production, Jane Landman11. Crossing the Border: Studying Canadian Television Production, Elana Levine12. Borders of Production Research: A Response to Elana Levine, Serra TinicPart Four: Production as Lived Experience13. Studying Sideways: Ethnographic Access in Hollywood, Sherry Ortner14. Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood, Stephen Zafirau 15. Lights, Camera, but Where’s the Action? Actor-Network Theory and the Production of Robert Connolly's Three Dollars, Oli Mould16. Both Sides of the Fence: Blurred Distinctions in Scholarhip and Production (A Portfoloio of Interviews), John Caldwell. The Craft Association, Paul Malcolm. Hollywood Assistanting, Erin Hill. The Writer's Room, Felicia D. Henderson. Select BibliographyList of ContributorsIndex

"Production Studies's collection of insightful essays by academics from a range of disciplines presents a superb example of precisely the kind of complex, collaborative work their essays elucidate. Incorporating material from interviews with a range of industry professionals, interrogating both industry practices and the scholarship that has explored them, this book speaks to some of the most pressing issues in the current media studies agenda."--Michele Hilmes, author of NBC: America's Network"Arriving at a time when the analysis of cultural and material production, in all its forms, has perhaps never been so critical, this rich and diverse collection of essays is a vital contribution to media production studies. The contributors offer a variety of insightful accounts of production culture, approaching it from perspectives including anthropology, cultural studies, feminism, and political economy, and highlighting many different production modes, levels, and locales. Production Studies is the new benchmark for this important and rapidly evolving field, and will influence media scholars and practitioners for years to come."--Derek Kompare, author of Rerun Nation: How Repeats Invented American Television

Vicki Mayer is Assistant Professor of Communication at Tulane University. She is author of Producing Dreams, Consuming Youth: Mexican Americans and Mass Media.Miranda J. Banks is Assistant Professor of Visual and Media Arts at Emerson College. John Thornton Caldwell is Professor of Film, Television, and Digital Media at UCLA. He has authored and edited several books, including Televisuality: Style, Crisis and Authority in American Television, Electronic Media and Technoculture, New Media: Digitextual Theories and Practices, and Production Culture: Industrial Reflexivity and Critical Practice in Film and Television.

• Introduction: Production Studies: Roots and Routes, Vicki Mayer, Miranda J. Banks, and John Thornton CaldwellPart One: Histories of Media Production Studies 1. Bringing the Social Back In: Studies of Production Cultures and Social Theory, Vicki Mayer2. Industry-Level Studies and the Contributions of Gitlin’s Inside Prime Time, AmandaD. Lotz 3. Leo C. Rosten's Hollywood: Power, Status, and the Primacy of Economic and Social Networks in Cultural Production, John L. Sullivan4. Privilege and Distinction in Production Worlds: Copyright, Collective Bargaining, and Working Conditions in Media Making, Matt StahlPart Two: Producers: Selves and Others 5. Self-Serve Celebrity: The Production of Ordinariess and the Ordinariness of Production in Reality Television, Laura Grindstaff 6. Feminism Below-the-Line: Defining Feminist Production Studies, Miranda J. Banks7. It's Not TV, It’s Brand Management TV: The Collective Author(s) of the Lost Franchise, Denise Mann8. Showrunning the Doctor Who Franchise: A Response to Denise Mann, Christine CorneaPart Three: Production Spaces: Centers and Peripheries9. Liminal Places and Spaces: Public/Private Considerations, Candace Moore10. "Not in Kansas Anymore": Transnational Collaboration in Television Science Fiction Production, Jane Landman11. Crossing the Border: Studying Canadian Television Production, Elana Levine12. Borders of Production Research: A Response to Elana Levine, Serra TinicPart Four: Production as Lived Experience13. Studying Sideways: Ethnographic Access in Hollywood, Sherry Ortner14. Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood, Stephen Zafirau 15. Lights, Camera, but Where’s the Action? Actor-Network Theory and the Production of Robert Connolly's Three Dollars, Oli Mould16. Both Sides of the Fence: Blurred Distinctions in Scholarhip and Production (A Portfoloio of Interviews), John Caldwell. The Craft Association, Paul Malcolm. Hollywood Assistanting, Erin Hill. The Writer's Room, Felicia D. Henderson. Select BibliographyList of ContributorsIndex

"Production Studies's collection of insightful essays by academics from a range of disciplines presents a superb example of precisely the kind of complex, collaborative work their essays elucidate. Incorporating material from interviews with a range of industry professionals, interrogating both industry practices and the scholarship that has explored them, this book speaks to some of the most pressing issues in the current media studies agenda."--Michele Hilmes, author of NBC: America's Network"Arriving at a time when the analysis of cultural and material production, in all its forms, has perhaps never been so critical, this rich and diverse collection of essays is a vital contribution to media production studies. The contributors offer a variety of insightful accounts of production culture, approaching it from perspectives including anthropology, cultural studies, feminism, and political economy, and highlighting many different production modes, levels, and locales. Production Studies is the new benchmark for this important and rapidly evolving field, and will influence media scholars and practitioners for years to come."--Derek Kompare, author of Rerun Nation: How Repeats Invented American Television