Jay Rose, CAS is a nationally respected sound designer. His Clio- and Emmy- winning career has included program openers for NBC, theatrical film for MGM, festival-winning documentaries, and more than a thousand corporate, broadcast, and commercial projects. He’s also been a columnist for DV Magazine and ProVideoCoalition.com, and a consultant for major pro audio manufacturers.

• Chapter 1: Audio BasicsChapter 2: How Digital Audio WorksChapter 3: Audio on a WireChapter 4: Planning and Pre-ProChapter 5: Budgeting, Scheduling, and Pre-productionChapter 6: Production SoundChapter 7: Production Mic TechniqueChapter 8: Production RecordingChapter 9: Recording, Voice-overs, ADR, and Effects (available as an online supplement)Chapter 10: PostproductionChapter 11: Postproduction HardwareChapter 12: Levels and DigitizingChapter 13: Editing VoicesChapter 14: Working with MusicChapter 15: Sound EffectsChapter 16: ProcessingChapter 17: The MixChapter 18: Help! It Doesn’t Sound Right!Appendix A: GlossaryAppendix B: Resources

"This is the definitive book. It should be mandatory reading for anyone who is seriously considering a career making movies."- Jeff Wexler, CAS (Mixer for Mission Impossible III, Fight Club, Independence Day, The Last Samurai, Jerry Maguire)"Jay Rose is one of the leaders in spreading the gospel of using sound creatively. He presents cutting-edge ideas about the collaboration of sound and image, and also covers the basics… all in an easy to read, easy to understand style."- Randy Thom, CAS (Director of Sound Design at Skywalker Sound; Oscar winner for The Right Stuff and The Incredibles)

Jay Rose, CAS is a nationally respected sound designer. His Clio- and Emmy- winning career has included program openers for NBC, theatrical film for MGM, festival-winning documentaries, and more than a thousand corporate, broadcast, and commercial projects. He’s also been a columnist for DV Magazine and ProVideoCoalition.com, and a consultant for major pro audio manufacturers.

• Chapter 1: Audio BasicsChapter 2: How Digital Audio WorksChapter 3: Audio on a WireChapter 4: Planning and Pre-ProChapter 5: Budgeting, Scheduling, and Pre-productionChapter 6: Production SoundChapter 7: Production Mic TechniqueChapter 8: Production RecordingChapter 9: Recording, Voice-overs, ADR, and Effects (available as an online supplement)Chapter 10: PostproductionChapter 11: Postproduction HardwareChapter 12: Levels and DigitizingChapter 13: Editing VoicesChapter 14: Working with MusicChapter 15: Sound EffectsChapter 16: ProcessingChapter 17: The MixChapter 18: Help! It Doesn’t Sound Right!Appendix A: GlossaryAppendix B: Resources

"This is the definitive book. It should be mandatory reading for anyone who is seriously considering a career making movies."- Jeff Wexler, CAS (Mixer for Mission Impossible III, Fight Club, Independence Day, The Last Samurai, Jerry Maguire)"Jay Rose is one of the leaders in spreading the gospel of using sound creatively. He presents cutting-edge ideas about the collaboration of sound and image, and also covers the basics… all in an easy to read, easy to understand style."- Randy Thom, CAS (Director of Sound Design at Skywalker Sound; Oscar winner for The Right Stuff and The Incredibles)

Jay Rose, CAS is a nationally respected sound designer. His Clio- and Emmy- winning career has included program openers for NBC, theatrical film for MGM, festival-winning documentaries, and more than a thousand corporate, broadcast, and commercial projects. He’s also been a columnist for DV Magazine and ProVideoCoalition.com, and a consultant for major pro audio manufacturers.

• Chapter 1: Audio BasicsChapter 2: How Digital Audio WorksChapter 3: Audio on a WireChapter 4: Planning and Pre-ProChapter 5: Budgeting, Scheduling, and Pre-productionChapter 6: Production SoundChapter 7: Production Mic TechniqueChapter 8: Production RecordingChapter 9: Recording, Voice-overs, ADR, and Effects (available as an online supplement)Chapter 10: PostproductionChapter 11: Postproduction HardwareChapter 12: Levels and DigitizingChapter 13: Editing VoicesChapter 14: Working with MusicChapter 15: Sound EffectsChapter 16: ProcessingChapter 17: The MixChapter 18: Help! It Doesn’t Sound Right!Appendix A: GlossaryAppendix B: Resources

"This is the definitive book. It should be mandatory reading for anyone who is seriously considering a career making movies."- Jeff Wexler, CAS (Mixer for Mission Impossible III, Fight Club, Independence Day, The Last Samurai, Jerry Maguire)"Jay Rose is one of the leaders in spreading the gospel of using sound creatively. He presents cutting-edge ideas about the collaboration of sound and image, and also covers the basics… all in an easy to read, easy to understand style."- Randy Thom, CAS (Director of Sound Design at Skywalker Sound; Oscar winner for The Right Stuff and The Incredibles)