Premodern Rulers and Postmodern Viewers

Janice North is an independent scholar and specialist in medieval and Golden Age Iberian literature.Karl C. Alvestad is Lecturer in History at the University of Winchester, UK. Elena Woodacre is Senior Lecturer in Early Modern European History at the University of Winchester, UK.

• 1. Introduction: Getting Modern: Depicting Premodern Power and Sexuality in Popular Media.- I. Reappraising female rulers in the light of modern feminism(s).- 2. Early Modern Queens on Screen: Victors, Victims, Villains, Virgins, and Viragoes.- 3. Silencing Queens: The Dominated Discourse of Historical Queens in Film.- 4. Feminism, Fiction, and the Empress Matilda.- 5. "She is my Eleanor": The Character of Isabella of Angoulême on Film — A Medieval Queen in Modern Media.- 6. Women's Weapons in The White Queen.- 7. "Men go to battle, women wage war": Gender Politics in The White Queen and its Fandom.- II. Questions of adaptation: Bringing premodern queens to the page and screen.- 8. Religious Medievalisms in RTVE's Isabel.- 9. "The Queen of Time": Isabel I in The Ministry of Time (2015) and The Queen of Spain (2016).- 10. From Mad Love to Mad Lust: The Dangers of Female Desire in Twenty-First Century Representations of Juana I of Castile in Film and Television.- 11. The Filmic Legacy of Queen Christina: Mika Kaurimäski’s Girl King (2015) and Bernard Tavernier’s Cinematic "Amazons" in D’Artagnan’s Daughter (1994) and The Princess of Monpensier (2010).- 12. Thomas Imbach’s Marian Biopic: Postmodern Period Drama or Old-Fashioned Psychogram?- III. Undermining authority: Rulers with conflicted gender and sexual identities.- 13. Queering Isabella: The "She-Wolf of France" in Film and Television.- 14. Seeing Him for What He Was: Reimagining King Olaf II Haraldsson in Post-War Popular Culture.- 15. Televising Boabdil, Last Muslim King of Granada.- 16. A man? A woman? A lesbian? A whore?: Queen Elizabeth I and the Cinematic Subversion of Gender.

“Premodern Rulers, Postmodern Viewers is an important collection given the boon of period pieces and exciting, new visions of the relationship between history and ‘truth.’ The essays will be of interest to those of us working on early modern rulers but also to those interested in theorizing these adaptations of historical figures. … I imagine teachers of premodern texts and histories will appreciate a clear point of entry into discussing premodern history with students.” (Alicia Andrzejewski, Early Modern Women Journal, Vol. 16 (2), 2022)