Practicing Oral History in Historical Organizations

Barbara W. Sommer, M.A., has over twenty-five years of experience in the oral history field. She has been principal investigator and director of more than twenty major oral history projects at the University of Nebraska-Lincoln, Nebraska Wesleyan University, and Vermilion Community College.

• Foreword Preface 1. Introduction Part One: Oral History and the Oral History Life Cycle 2. Oral History 3. The Oral History Life Cycle Part Two: Oral History for Public Audiences 4. Legal Standards and Options 5. Ethical Guidelines 6. Management 7. The Art of Interviewing 8. Stewardship Part Three: Oral History: Step by Step 9. From the Idea Through the Plan 10. The Interview 11: Preservation and Access/Use Part Four: Reflections and Resources 12. Reflections and Resources Appendix A: Oral History Process Steps Appendix B: Oral History Equipment Guidelines Appendix C: Pathways to Access Appendix D: Forms Glossary Notes Further Reading Index About the Author

"Practicing Oral History succeeds admirably. It gives those interested in doing oral history at any type of historical organization a primer. On top of that, it provides readers an introduction to one of oral history’s most beloved practitioners and some of her valued colleagues. It can furnish one then with a community to join, not just a book to read."— Troy Reeves, University Wisconsin-Madison, The Public Historian"Barbara Sommer’s (2015) Practicing Oral History in Historical Organizations is a welcome addition to the field of qualitative research methodology. Generally the topics that public historians, ethnographers, and other practitioners of oral history probe are fragmented and lack human voice. Sommer’s book speaks to practitioners who collect, archive, and use oral history."— Solaiman M. Fazel, Anthropology Book Forum"This reference work is a versatile text that can equally serve both independent practitioners working with repositories and the organizations that collect, preserve, and interpret history for pubic audiences ... I would recommend it to any of those institutions who want to embark on oral history creation and curation, particularly to fill collections gaps, reach new audiences, and foster new constituencies."— Sarah Schmitt, Oral History Review