Ignacio Corona is associate professor in the Departments of Spanish and Portuguese and Comparative Studies at Ohio State University.Alejandro L. Madrid is assistant professor in the Latin American and Latino studies program at the University of Illinois-Chicago.

• Chapter 1 PrefacePart 2 Part I. Postnational Perspectives in Music ScholarshipChapter 3 Chapter 1. Introduction: The Postnational Turn in Music Scholarship and Music MarketingChapter 4 Chapter 2. Nationalist and Postnationalist Perspectives in American MusicologyChapter 5 Chapter 3. Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967Part 6 Part II. A Transnational CaribbeanChapter 7 Chapter 4. The Miamization of Latin-American Pop MusicChapter 8 Chapter 5. Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican PoetryPart 9 Part III. Across the U.S.-Mexico BorderChapter 10 Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec MusicChapter 11 Chapter 7. Quest for the Local: Building Musical Ties between Mexico and the United StatesChapter 12 Chapter 8. Assimilation, Reclamation, and the Rejection of the Nation-State Chicano MusiciansChapter 13 Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and National IdentityPart 14 Part IV. South-American ConnectionsChapter 15 Chapter 10. Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the 20th CenturyChapter 16 Chapter 11. The "Afro-Colombianization" of Hip-Hop and Discourses on AuthenticityChapter 17 Chapter 12. Transnational Soundscapes: Ambient Music and Bossatrônica

Postnational Musical Identities offers diverse scholarly interpretations of music in relation to globalization through varied musical examples….Contribute to knowledge of particular musics, illustrate varied processes of musical production and explicate the interpretive frameworks these musics both engender and by which they are engendered….The book offers a variety of methodological and conceptual approaches to the study of music production and meaning in the complicated "globalized" world in which we all live.