David Hadbawnik is a scholar, poet, and translator who edited Thomas Meyer’s Beowulf and whose translation of the Aeneid books 1-6 were published in 2015.

• AcknowledgementsIntroduction: The Opening of the Field by David Hadbawnik“A Real Fictional Depth”: Transtexuality & Transformation in Robert Glück’s Margery Kempe by Robin Tremblay-McGawA Basket of Fire and the Laughter of God: Anne Sexton’s Queer Theopoetics by Christopher Romanfeeld Notes: Jos Charles’s Chaucerian “anteseedynts” by Candace BarringtonThe Time Mechanic and the Theater: Translation, Performativity and Performance in the Old English of Karen Coonrod’s Judith, W.H. Auden, and Thomas Meyer by Daniel C. RemeinTranslation for the End Times: Peter O’Leary’s The Sampo by Sean ReynoldsThe Harlot and the Gygelot: Translation, Intertextuality, and Theft in Medbh McGuckian’s “The Good Wife Taught Her Daughter” by Katharine JagerQueer Time, Queer Forms: Noir Medievalism and Patience Agbabi’s Telling Tales by Jonathan Hsy and Candace BarringtonSpeak Like a Child: Caroline Bergvall’s Medievalist Trilogy by David HadbawnikIndex

David Hadbawnik is a scholar, poet, and translator who edited Thomas Meyer’s Beowulf and whose translation of the Aeneid books 1-6 were published in 2015.

• AcknowledgementsIntroduction: The Opening of the Field by David Hadbawnik“A Real Fictional Depth”: Transtexuality & Transformation in Robert Glück’s Margery Kempe by Robin Tremblay-McGawA Basket of Fire and the Laughter of God: Anne Sexton’s Queer Theopoetics by Christopher Romanfeeld Notes: Jos Charles’s Chaucerian “anteseedynts” by Candace BarringtonThe Time Mechanic and the Theater: Translation, Performativity and Performance in the Old English of Karen Coonrod’s Judith, W.H. Auden, and Thomas Meyer by Daniel C. RemeinTranslation for the End Times: Peter O’Leary’s The Sampo by Sean ReynoldsThe Harlot and the Gygelot: Translation, Intertextuality, and Theft in Medbh McGuckian’s “The Good Wife Taught Her Daughter” by Katharine JagerQueer Time, Queer Forms: Noir Medievalism and Patience Agbabi’s Telling Tales by Jonathan Hsy and Candace BarringtonSpeak Like a Child: Caroline Bergvall’s Medievalist Trilogy by David HadbawnikIndex

David Hadbawnik is a scholar, poet, and translator who edited Thomas Meyer’s Beowulf and whose translation of the Aeneid books 1-6 were published in 2015.

• AcknowledgementsIntroduction: The Opening of the Field by David Hadbawnik“A Real Fictional Depth”: Transtexuality & Transformation in Robert Glück’s Margery Kempe by Robin Tremblay-McGawA Basket of Fire and the Laughter of God: Anne Sexton’s Queer Theopoetics by Christopher Romanfeeld Notes: Jos Charles’s Chaucerian “anteseedynts” by Candace BarringtonThe Time Mechanic and the Theater: Translation, Performativity and Performance in the Old English of Karen Coonrod’s Judith, W.H. Auden, and Thomas Meyer by Daniel C. RemeinTranslation for the End Times: Peter O’Leary’s The Sampo by Sean ReynoldsThe Harlot and the Gygelot: Translation, Intertextuality, and Theft in Medbh McGuckian’s “The Good Wife Taught Her Daughter” by Katharine JagerQueer Time, Queer Forms: Noir Medievalism and Patience Agbabi’s Telling Tales by Jonathan Hsy and Candace BarringtonSpeak Like a Child: Caroline Bergvall’s Medievalist Trilogy by David HadbawnikIndex