Sebnem Nazli Karali is a scholar of literature and theatre, as well as an actor, dramaturg, writer, and language instructor. She holds a Ph.D. in Creative Arts from the Western Australian Academy of Performing Arts, Edith Cowan University, Australia. Her recent publications include ‘‘Half-Armenian,” Fully Diasporic: Navigating Memory, Trauma, and Identity in Marcella Polain's The Edge of The World ' in Journal of Intercultural Studies: Migrant Life Narratives as Place-Making in Postcolonial Australia (2026); ' Postmemorial Dramaturgy of the Armenian Catastrophe: The Armenian Question ' in Performing Gender, Sexual and Racial Dynamics on the US Stage (2023);' The Hunger for Touch: Fatih Akin's Gegen die Wand (Head-On) and the Cinema of Sensation ' (with G. Karpathakis) in Sexuality and Eroticism in a Post-pandemic World: Beyond the Biopolitics of the New Normal (2023).

• .- Chapter 1 Introduction.- Chapter 2 The Armenian Question: The Answer Was the Catastrophe.- Chapter 3 The Sites and Sights of Postmemory in The Armenian Question.- Chapter 4 Dance Mama, Dance: So That I May Dance Too.- Chapter 5 The Sites and Sights of Postmemory in Dance Mama, Dance.- Chapter 6 Nine Armenians: It Only Takes One.- Chapter 7 The Sites and Sights of Postmemory in Nine Armenians.- Chapter 8 Conclusion: Legacy and Horizons.

Sebnem Nazli Karali is a scholar of literature and theatre, as well as an actor, dramaturg, writer, and language instructor. She holds a Ph.D. in Creative Arts from the Western Australian Academy of Performing Arts, Edith Cowan University, Australia. Her recent publications include ‘‘Half-Armenian,” Fully Diasporic: Navigating Memory, Trauma, and Identity in Marcella Polain's The Edge of The World ' in Journal of Intercultural Studies: Migrant Life Narratives as Place-Making in Postcolonial Australia (2026); ' Postmemorial Dramaturgy of the Armenian Catastrophe: The Armenian Question ' in Performing Gender, Sexual and Racial Dynamics on the US Stage (2023);' The Hunger for Touch: Fatih Akin's Gegen die Wand (Head-On) and the Cinema of Sensation ' (with G. Karpathakis) in Sexuality and Eroticism in a Post-pandemic World: Beyond the Biopolitics of the New Normal (2023).

• .- Chapter 1 Introduction.- Chapter 2 The Armenian Question: The Answer Was the Catastrophe.- Chapter 3 The Sites and Sights of Postmemory in The Armenian Question.- Chapter 4 Dance Mama, Dance: So That I May Dance Too.- Chapter 5 The Sites and Sights of Postmemory in Dance Mama, Dance.- Chapter 6 Nine Armenians: It Only Takes One.- Chapter 7 The Sites and Sights of Postmemory in Nine Armenians.- Chapter 8 Conclusion: Legacy and Horizons.

Sebnem Nazli Karali is a scholar of literature and theatre, as well as an actor, dramaturg, writer, and language instructor. She holds a Ph.D. in Creative Arts from the Western Australian Academy of Performing Arts, Edith Cowan University, Australia. Her recent publications include ‘‘Half-Armenian,” Fully Diasporic: Navigating Memory, Trauma, and Identity in Marcella Polain's The Edge of The World ' in Journal of Intercultural Studies: Migrant Life Narratives as Place-Making in Postcolonial Australia (2026); ' Postmemorial Dramaturgy of the Armenian Catastrophe: The Armenian Question ' in Performing Gender, Sexual and Racial Dynamics on the US Stage (2023);' The Hunger for Touch: Fatih Akin's Gegen die Wand (Head-On) and the Cinema of Sensation ' (with G. Karpathakis) in Sexuality and Eroticism in a Post-pandemic World: Beyond the Biopolitics of the New Normal (2023).

• .- Chapter 1 Introduction.- Chapter 2 The Armenian Question: The Answer Was the Catastrophe.- Chapter 3 The Sites and Sights of Postmemory in The Armenian Question.- Chapter 4 Dance Mama, Dance: So That I May Dance Too.- Chapter 5 The Sites and Sights of Postmemory in Dance Mama, Dance.- Chapter 6 Nine Armenians: It Only Takes One.- Chapter 7 The Sites and Sights of Postmemory in Nine Armenians.- Chapter 8 Conclusion: Legacy and Horizons.