Kathryn A. Kleppinger is Associate Professor of French Studies and International Affairs at The George Washington University. Laura Reeck is Professor of French and International Studies at Allegheny College.

• I. Introduction: The Post-Migratory PostcolonialKathryn Kleppinger and Laura ReeckII. Generations and DesignationsDifference-Conscious Critical Media Engagement and the Communitarian QuestionJennifer FredetteBanlieue Writers: The Struggle for Literary Recognition through Collective MobilisationKaoutar HarchiFrancophone and Post-Migratory Afropeans Within and Beyond France TodayChristopher HogarthIII. Postmemory, or telling the past to the presentUn cinéma sans image: Palimpsestic Memory and the Lost History of Cambodian FilmLeslie BarnesVietnam by Removes: Storytelling and Postmemory in Minh Tran HuyCatherine H. NguyenMoving Beyond the Legacies of War in Second-Generation Harki NarrativesSusan IrelandIV. Urban Cultures/IdentitiesRedefining Frenchness through Urban Music and Literature: The Case of Rapper-Writers Abd Al Malik and DisizStève Puig‘Double discours’: Critiques of Racism and Islamophobia in French RapChong J. Bretillon‘Beyond Ethnicity’ or a Return to Type?: Bande de filles /Girlhood (Sciamma, 2014) and the Politics of Blackness in Contemporary French CinemaWill HigbeeV. Imaginings in Visual LanguagesSomebody or Anybody? Hip hop Choreography and the Cultural EconomyFelicia McCarrenMixed Couples in Contemporary French Cinema: Exploring New Representations of Diversity and Difference on the Big ScreenLeslie Kealhofer-Kemp‘Nos ancêtres n’étaient pas tous des Gaulois’: Post-migration and bande dessinéIlaria VitaliIdentity and ‘Difference’ in French Art: El Seed’s Calligraffiti from Street to WebSiobhán ShiltonVI. Afterword: A Long Road to TravelAlec G. Hargreaves and Mark McKinney

Kathryn A. Kleppinger is Associate Professor of French Studies and International Affairs at The George Washington University. Laura Reeck is Professor of French and International Studies at Allegheny College.

• I. Introduction: The Post-Migratory PostcolonialKathryn Kleppinger and Laura ReeckII. Generations and DesignationsDifference-Conscious Critical Media Engagement and the Communitarian QuestionJennifer FredetteBanlieue Writers: The Struggle for Literary Recognition through Collective MobilisationKaoutar HarchiFrancophone and Post-Migratory Afropeans Within and Beyond France TodayChristopher HogarthIII. Postmemory, or telling the past to the presentUn cinéma sans image: Palimpsestic Memory and the Lost History of Cambodian FilmLeslie BarnesVietnam by Removes: Storytelling and Postmemory in Minh Tran HuyCatherine H. NguyenMoving Beyond the Legacies of War in Second-Generation Harki NarrativesSusan IrelandIV. Urban Cultures/IdentitiesRedefining Frenchness through Urban Music and Literature: The Case of Rapper-Writers Abd Al Malik and DisizStève Puig‘Double discours’: Critiques of Racism and Islamophobia in French RapChong J. Bretillon‘Beyond Ethnicity’ or a Return to Type?: Bande de filles /Girlhood (Sciamma, 2014) and the Politics of Blackness in Contemporary French CinemaWill HigbeeV. Imaginings in Visual LanguagesSomebody or Anybody? Hip hop Choreography and the Cultural EconomyFelicia McCarrenMixed Couples in Contemporary French Cinema: Exploring New Representations of Diversity and Difference on the Big ScreenLeslie Kealhofer-Kemp‘Nos ancêtres n’étaient pas tous des Gaulois’: Post-migration and bande dessinéIlaria VitaliIdentity and ‘Difference’ in French Art: El Seed’s Calligraffiti from Street to WebSiobhán ShiltonVI. Afterword: A Long Road to TravelAlec G. Hargreaves and Mark McKinney

Kathryn A. Kleppinger is Associate Professor of French Studies and International Affairs at The George Washington University. Laura Reeck is Professor of French and International Studies at Allegheny College.

• I. Introduction: The Post-Migratory PostcolonialKathryn Kleppinger and Laura ReeckII. Generations and DesignationsDifference-Conscious Critical Media Engagement and the Communitarian QuestionJennifer FredetteBanlieue Writers: The Struggle for Literary Recognition through Collective MobilisationKaoutar HarchiFrancophone and Post-Migratory Afropeans Within and Beyond France TodayChristopher HogarthIII. Postmemory, or telling the past to the presentUn cinéma sans image: Palimpsestic Memory and the Lost History of Cambodian FilmLeslie BarnesVietnam by Removes: Storytelling and Postmemory in Minh Tran HuyCatherine H. NguyenMoving Beyond the Legacies of War in Second-Generation Harki NarrativesSusan IrelandIV. Urban Cultures/IdentitiesRedefining Frenchness through Urban Music and Literature: The Case of Rapper-Writers Abd Al Malik and DisizStève Puig‘Double discours’: Critiques of Racism and Islamophobia in French RapChong J. Bretillon‘Beyond Ethnicity’ or a Return to Type?: Bande de filles /Girlhood (Sciamma, 2014) and the Politics of Blackness in Contemporary French CinemaWill HigbeeV. Imaginings in Visual LanguagesSomebody or Anybody? Hip hop Choreography and the Cultural EconomyFelicia McCarrenMixed Couples in Contemporary French Cinema: Exploring New Representations of Diversity and Difference on the Big ScreenLeslie Kealhofer-Kemp‘Nos ancêtres n’étaient pas tous des Gaulois’: Post-migration and bande dessinéIlaria VitaliIdentity and ‘Difference’ in French Art: El Seed’s Calligraffiti from Street to WebSiobhán ShiltonVI. Afterword: A Long Road to TravelAlec G. Hargreaves and Mark McKinney