Del 0 - Cambridge Studies in Modern Theatre

Post-Imperial Brecht

Politics and Performance, East and South

Häftad, Engelska, 2007

AvLoren Kruger,Loren (University of Chicago) Kruger,Kruger Loren

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Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Most political theatre critics place Brecht between West and East in the Cold War, and a few have recently explored Brecht's impact as a Northern writer on the global South. Loren Kruger is the first to argue that Brecht's impact as a political dramatist, director and theoretical writer makes full sense only when seen in a post-imperial framework that links the East/West axis between US capitalism and Soviet communism with the North/South axis of postcolonial resistance to imperialism. This framework highlights Brecht's arguments with theorists like Benjamin, Bloch, and Lukacs. It also shows surprising connections between socialist East Germany, where Brecht's 1950s projects impressed the emerging Heiner Müller, and apartheid-era South Africa, where his work appeared on the apartheid as well as anti-apartheid stage.

Produktinformation

Utgivningsdatum2007-05-14
Mått153 x 228 x 19 mm
Vikt628 g
FormatHäftad
SpråkEngelska
SerieCambridge Studies in Modern Theatre
Antal sidor416
FörlagCambridge University Press
ISBN9780521036573

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Teater inom Kultur
Litteraturvetenskap inom Skönlitteratur

Loren Kruger is a graduate of the University of Cape Town, South Africa, and Cornell University, and teaches the history and theory of drama and other cultural forms at the University of Chicago. She is the author of The National Stage (1992) and The Drama of South Africa (1999), and the editor of Lights and Shadows: The Autobiography of Leontine Sagan (1996), and of South African special issues of Theatre Journal and Theatre Research International.

List of illustrations; Acknowledgements; List of abbreviations; Introduction; 1. The political history of theatre and theory: Brecht and his contemporaries; 2. Realism, socialism and modernism in the production play; 3. Broadcasting (a)socialism: Brecht, Müller and Radio Fatzer; 4. Spectres and speculation: Brechtian futures on the global market; 5. The dis-illusion of apartheid: Brecht and South Africa; 6. 'Realistic Engagement' and the limits of solidarity: Athol Fugard in (East) Germany; 7. Truth, reconciliation and the ends of political performance; Coda; Index.