Des O’Rawe lectures in Film Studies at Queen’s University Belfast, Northern Ireland. He has published on various aspects of cinema aesthetics and is particularly interested in interdisciplinary approaches to the study of film and visual culture. His book, Regarding the Real: Cinema, Documentary, and the Visual Arts, publishes in 2016.Mark Phelan lectures in Drama at Queen's University Belfast, Northern Ireland. He has published widely on Irish theatre and performance with articles in Theatre Survey, Theatre Journal, Modern Drama. Presently, his research is concerned with role that the arts - specifically theatre and performance - 'play' in ongoing processes of conflict transformation in Northern Ireland.

• Introduction; Des O’Rawe and Mark Phelan.- PART I. 1.Paradoxes and Parapraxes; Thomas Elsaesser.- 2.‘A Ruin In Slow Motion';Miriam Paeslack.- 3.Puppy Love; Rob Stone.- 4.Performing Reconciliation; Elena Caoduro.- 5.Public Memory in Post-Conflict Skopje; Zoran Poposki and Marija Todorova.- 6.Voyage(s) to Sarajevo;O’Rawe, Des (et al.) - PART II. 7.Lost Lives; Mark Phelan.- 8.‘It will bury its past, it will paper over the cracks’; Emma Grey.- 9.City of Culture/Memory; Paul Devlin.- 10.Panopticonicity; Paula Blair.- PART III. 11.Inner Cities; Jane Taylor.- 12.The Tunisian Revolution and After in the Work of Jalila Baccar and Fadhel Jaïbi; Marvin Carlson.- 13.‘Dancing in the Dragon’s Jaws; Laurel Borisenko.- 14.Memory and Artistic Production in a Post-war Arab City;Katarzyna Puzon.

Des O’Rawe lectures in Film Studies at Queen’s University Belfast, Northern Ireland. He has published on various aspects of cinema aesthetics and is particularly interested in interdisciplinary approaches to the study of film and visual culture. His book, Regarding the Real: Cinema, Documentary, and the Visual Arts, publishes in 2016.Mark Phelan lectures in Drama at Queen's University Belfast, Northern Ireland. He has published widely on Irish theatre and performance with articles in Theatre Survey, Theatre Journal, Modern Drama. Presently, his research is concerned with role that the arts - specifically theatre and performance - 'play' in ongoing processes of conflict transformation in Northern Ireland.

• Introduction; Des O’Rawe and Mark Phelan.- PART I. 1.Paradoxes and Parapraxes; Thomas Elsaesser.- 2.‘A Ruin In Slow Motion';Miriam Paeslack.- 3.Puppy Love; Rob Stone.- 4.Performing Reconciliation; Elena Caoduro.- 5.Public Memory in Post-Conflict Skopje; Zoran Poposki and Marija Todorova.- 6.Voyage(s) to Sarajevo;O’Rawe, Des (et al.) - PART II. 7.Lost Lives; Mark Phelan.- 8.‘It will bury its past, it will paper over the cracks’; Emma Grey.- 9.City of Culture/Memory; Paul Devlin.- 10.Panopticonicity; Paula Blair.- PART III. 11.Inner Cities; Jane Taylor.- 12.The Tunisian Revolution and After in the Work of Jalila Baccar and Fadhel Jaïbi; Marvin Carlson.- 13.‘Dancing in the Dragon’s Jaws; Laurel Borisenko.- 14.Memory and Artistic Production in a Post-war Arab City;Katarzyna Puzon.

Des O’Rawe lectures in Film Studies at Queen’s University Belfast, Northern Ireland. He has published on various aspects of cinema aesthetics and is particularly interested in interdisciplinary approaches to the study of film and visual culture. His book, Regarding the Real: Cinema, Documentary, and the Visual Arts, publishes in 2016.Mark Phelan lectures in Drama at Queen's University Belfast, Northern Ireland. He has published widely on Irish theatre and performance with articles in Theatre Survey, Theatre Journal, Modern Drama. Presently, his research is concerned with role that the arts - specifically theatre and performance - 'play' in ongoing processes of conflict transformation in Northern Ireland.

• Introduction; Des O’Rawe and Mark Phelan.- PART I. 1.Paradoxes and Parapraxes; Thomas Elsaesser.- 2.‘A Ruin In Slow Motion';Miriam Paeslack.- 3.Puppy Love; Rob Stone.- 4.Performing Reconciliation; Elena Caoduro.- 5.Public Memory in Post-Conflict Skopje; Zoran Poposki and Marija Todorova.- 6.Voyage(s) to Sarajevo;O’Rawe, Des (et al.) - PART II. 7.Lost Lives; Mark Phelan.- 8.‘It will bury its past, it will paper over the cracks’; Emma Grey.- 9.City of Culture/Memory; Paul Devlin.- 10.Panopticonicity; Paula Blair.- PART III. 11.Inner Cities; Jane Taylor.- 12.The Tunisian Revolution and After in the Work of Jalila Baccar and Fadhel Jaïbi; Marvin Carlson.- 13.‘Dancing in the Dragon’s Jaws; Laurel Borisenko.- 14.Memory and Artistic Production in a Post-war Arab City;Katarzyna Puzon.