Brian Longhurst is Professor of Sociology at the University of SalfordDanijela Bogdanovic is Lecturer at The University of Liverpool and Associate Lecturer at The Open University

• ContentsList of FiguresList of TablesList of BoxesAcknowledgementsPrefaceIntroduction: Constraints and Creativity -- Arguments and FrameworkPart I Production1 The Pop Music Industry2 The Social Production of MusicPart II Text3 History, Politics and Sexuality4 ‘Black’ Music: Genres and Social Constructions5 Texts and Meaning6 Performance, Dance, Distinction and the BodyPart III Audience7 Effects, Audiences and Subcultures8 Fans, Production and Consumption9 Beyond Subcultures and Fans: New Audiences, Scenes and Everyday LifeConclusionFurther ReadingReferences

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Brian Longhurst is Professor of Sociology at the University of SalfordDanijela Bogdanovic is Lecturer at The University of Liverpool and Associate Lecturer at The Open University

• ContentsList of FiguresList of TablesList of BoxesAcknowledgementsPrefaceIntroduction: Constraints and Creativity -- Arguments and FrameworkPart I Production1 The Pop Music Industry2 The Social Production of MusicPart II Text3 History, Politics and Sexuality4 ‘Black’ Music: Genres and Social Constructions5 Texts and Meaning6 Performance, Dance, Distinction and the BodyPart III Audience7 Effects, Audiences and Subcultures8 Fans, Production and Consumption9 Beyond Subcultures and Fans: New Audiences, Scenes and Everyday LifeConclusionFurther ReadingReferences

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Brian Longhurst is Professor of Sociology at the University of SalfordDanijela Bogdanovic is Lecturer at The University of Liverpool and Associate Lecturer at The Open University

• ContentsList of FiguresList of TablesList of BoxesAcknowledgementsPrefaceIntroduction: Constraints and Creativity -- Arguments and FrameworkPart I Production1 The Pop Music Industry2 The Social Production of MusicPart II Text3 History, Politics and Sexuality4 ‘Black’ Music: Genres and Social Constructions5 Texts and Meaning6 Performance, Dance, Distinction and the BodyPart III Audience7 Effects, Audiences and Subcultures8 Fans, Production and Consumption9 Beyond Subcultures and Fans: New Audiences, Scenes and Everyday LifeConclusionFurther ReadingReferences

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