Pop Art and Beyond

Mona Hadler is a Professor of Art History at Brooklyn College and the Graduate Center of the City University of New York (CUNY), USA. A specialist in postwar art and visual culture, she is the author of the 2017 book Destruction Rites, Ephemerality and Demolition in Postwar Visual Culture.Kalliopi Minioudaki, PhD, is an independent scholar and curator, specializing on postwar art from a transnational feminist perspective. She was coeditor of Seductive Subversion: Women Pop Artists (2010), and has written extensively on women artists from Pop’s expanded context, including Teresa Burga, Marie-Louise Ekman and Niki de Saint Phalle.

• Acknowledgments List of Illustrations Notes on Contributors Introduction by Mona Hadler and Kalliopi Minioudaki 1. Cults or Subcultures? Reckoning with Collective Creation in the English Pop Worldby Thomas Crow 2. The 1960s in Bamako: Malick Sidibé and James Brown by Manthia Diawara3. Yugoslav Pop, Female Artists, and the Emergence of Feminist Agencyby Lina Džuverovic4. “Everything for Money”: Warhol, Kant, and Class by Anthony E. Grudin5. Pop Art’s Comic Turn and the Stand-Up Revolution by Mona Hadler6. Tom Max’s “Okinawan Inferno”: Reversion and After by Hiroko Ikegami 7. Following the Traces of Yemanjá: Pop Art, Cultura Popular, and Printmaking in Brazilby Giulia Lamoni8. Facing the Maid: Gendered Shades of Labor in American Pop by Kalliopi Minioudaki9. The Commonwealth of British Pop: Race, Labor, and Postcolonial Politics in Frank Bowling’s Mother’s House Series by Maryam Ohadi-Hamadani10. Market Wares and Trade Marks: Painting Pop in Indian Country, 1964by Kristine K. Ronan11. Entangled Mythologies: Race and Class in Hervé Télémaque’s Pop (1963-5)by Marine Schütz12. Snap! Crackle! Pow!: Robert Colescott and Pop Art by Lowery Stokes Sims13. Against the Heroes: Revolution, Repression, and Raúl Martínez’s Cuban Pop Art by Mercedes Trelles Hernández14. Myriam Bat-Yosef: World Citizen, Artist of the Pop Eraby Sarah Wilson15. Free Your Mind and Your Ass Will Follow: Feminism and the (Pop) “Image” in Chicago’s Black Arts Movementby Rebecca ZorachIndex

Pop Art and Beyond: Gender Race and Class in the Global Sixties is the perfect response to today’s urgent calling for ever more credible art histories that center recognition of artists and practices that have tended to be erased or downplayed within the dominant canon. The range of texts in the volume will prove indispensable in further building on scholarship that unsettles and challenges stale, hegemonic readings of Pop Art. As such, this book makes an invaluable contribution to art history and decisively signals the direction of progressive academic study. The global reach of this volume, together with the erudition of its contributors, ensure that scholars now have access to new, rigorous, and persuasive research into important aspects of modern art.