The White Pube is the collaborative identity of UK-based critics Gabrielle de la Puente and Zarina Muhammad. They have been turning heads since 2015 when the pair began publishing provocative art reviews and essays online from their art school studios and have earned themselves an international cult following due to their innovative writing style, their honesty and irreverence and their willingness to challenge the pale, male, stale art establishment.

Irreverent, provocative and funny . . . at some points it reads like a memoir and at others like a wildly surrealist novel . . . I found it fascinating as someone who knows basically nothing about the art world, but I’d also highly recommend it to anyone who went to art school or works as an artist – I’m sure the experiences it depicts would resonate deeply

The White Pube is the collaborative identity of UK-based critics Gabrielle de la Puente and Zarina Muhammad. They have been turning heads since 2015 when the pair began publishing provocative art reviews and essays online from their art school studios and have earned themselves an international cult following due to their innovative writing style, their honesty and irreverence and their willingness to challenge the pale, male, stale art establishment.

Irreverent, provocative and funny . . . at some points it reads like a memoir and at others like a wildly surrealist novel . . . I found it fascinating as someone who knows basically nothing about the art world, but I’d also highly recommend it to anyone who went to art school or works as an artist – I’m sure the experiences it depicts would resonate deeply

The White Pube is the collaborative identity of UK-based critics Gabrielle de la Puente and Zarina Muhammad. They have been turning heads since 2015 when the pair began publishing provocative art reviews and essays online from their art school studios and have earned themselves an international cult following due to their innovative writing style, their honesty and irreverence and their willingness to challenge the pale, male, stale art establishment.

Irreverent, provocative and funny . . . at some points it reads like a memoir and at others like a wildly surrealist novel . . . I found it fascinating as someone who knows basically nothing about the art world, but I’d also highly recommend it to anyone who went to art school or works as an artist – I’m sure the experiences it depicts would resonate deeply