Politics, Performance and Popular Culture

Peter Yeandle is Lecturer in History at Loughborough UniversityKatherine Newey is Professor of Theatre History at the University of ExeterJeffrey Richards is Emeritus Professor of Cultural History at the University of Lancaster

• Introduction: politics, performance and popular culture - Peter Yeandle, Katherine Newey and Jeffrey RichardsPart I: Conceptualising performance, theorising politics1. 'To the last drop of my blood': melodrama and politics in late Georgian England' - Robert Poole2. The platform and the stage: the primary aesthetics of Chartism - Michael Sanders3. 'Bubbles of the day': the melodramatic and the pantomimic - Katherine Newey4. Theatrical hierarchy, cultural capital and legitimate/illegitimate divide - Caroline Radcliffe5. Performances for imagined communities: Gladstone, the national theatre and the contested didactics of the stage - Anselm Heinrich6. Women's suffrage and theatricality - Sos EltisPart II: Politics in performance7. English pantomime and the Irish question - Jill Sullivan8. 'Executed with remarkable care and artistic feeling': popular imperialism and the music hall ballet - Jane Pritchard and Peter Yeandle9. Drury Lane imperialism - Jeffrey RichardsPart III: The performance of politics10. 'Love, bitter wrong, freedom, sad pity, and lust of power': politics and performance in 1820 - Malcolm Chase11. Robert Peel - actor dramatist - Richard Gaunt12. The performance of protest: the 1889 dock strike on and off the stage - Janice Norwood13. Class, performance and socialist politics: the political campaigns of early labour leaders - Marcus MorrisIndex

'This collection will be a landmark work across the disciplines of theatre studies, social and cultural history, and cultural studies broadly conceived.' Peter Bailey, Indiana University‘This welcome, and often entertaining, volume brings together a synergy often remarked on but seldom explored in a systematic way: politics and the theatre. Bringing together historians and theatre scholars, the editors are to be congratulated for producing a coherent and focused collection of essays, largely structured around the concept and practice of performance, which probe that relationship from both sides of the divide: the politics of theatre, and the theatrical nature of politics.’Matthew Roberts, Sheffield Hallam University, Parliamentary History, June 2019'This book constitutes an argument for theatre history as a rigorous interdisciplinary form of study that can remake social history through attentiveness to the meanings of performance. For that reason, it deserves to have an impact beyond that of Victorian Studies. It also constitutes one of the most original works of political history for a long time.'Rohan McWilliam, Anglia Ruskin University, Social History'The authors and editors have collectively enriched the study of politics and performance and helped to carry it forward.'Joseph S. Meisel, Brown University, Journal of Victorian Culture