Jan Mohr is Assistant Professor for Medieval German Literature at LMU Munich, Germany.Julia Stenzel is Professor of Theatre Studies at the University of Mainz, Germany.

• AcknowledgementsList of FiguresContributor BiosChapter 1. How to Become a Trademark. An Introduction Jan Mohr, Julia StenzelPart I. Being a Trademark – Typological and Historical OutlinesChapter 2. Comparing Singularities: The Passion Play and the Papacy Mariano BarbatoChapter 3. Tradition, Authority and Autonomy at the Oberammergau Passion Play, 1860 and 1890 Robert PriestPart II. Assembly, Community, Society – Negotiating the Theatrical Public SphereChapter 4. Pilgrims, Tourists and Ethnographers – on the Journey to the Passion Play Jan MohrChapter 5. ‘Visit Romantic Germany in the Oberammergau Year’. Scenographic Perspectives on the Village and its Passion Play in Travel Adverts Dominic ZerhochChapter 6. Quotations of the Passion Play Form. Oberammergau and the Nazi Thingspiele Evelyn AnnußChapter 7. Volksschauspiel as Trade Mark – The Oberammergau Passion Play as a Paradigm of Imagined Folk Play Toni BernhartPart III. Layers of AuthenticityChapter 8. ‘Jesus-Casting’ as a Public Event: Oberammergau’s Wilhelm Tell Céline MolterChapter 9. Let it Grow. The Holy Hair Styles of Oberammergau. Julia StenzelPart IV. Compliance and Transgression – Literary ImaginationsChapter 10. Work on Myth, Work on the Institution. On Narrating Oberammergau (19th-21st centuries) Jan MohrChapter 11. Constructing and Staging the Figure of Christ in Passion Play Fictions Martin LeutzschChapter 12. "What Kind of Man Must this Christ Be?" A Male Body and its Remains, Oberammergau, 1890 Julia StenzelChapter 13. Playing With Traditions. A Summary and a Glance at the Passion Play 2022Jan Mohr, Julia StenzelIndex

Jan Mohr is Assistant Professor for Medieval German Literature at LMU Munich, Germany.Julia Stenzel is Professor of Theatre Studies at the University of Mainz, Germany.

• AcknowledgementsList of FiguresContributor BiosChapter 1. How to Become a Trademark. An Introduction Jan Mohr, Julia StenzelPart I. Being a Trademark – Typological and Historical OutlinesChapter 2. Comparing Singularities: The Passion Play and the Papacy Mariano BarbatoChapter 3. Tradition, Authority and Autonomy at the Oberammergau Passion Play, 1860 and 1890 Robert PriestPart II. Assembly, Community, Society – Negotiating the Theatrical Public SphereChapter 4. Pilgrims, Tourists and Ethnographers – on the Journey to the Passion Play Jan MohrChapter 5. ‘Visit Romantic Germany in the Oberammergau Year’. Scenographic Perspectives on the Village and its Passion Play in Travel Adverts Dominic ZerhochChapter 6. Quotations of the Passion Play Form. Oberammergau and the Nazi Thingspiele Evelyn AnnußChapter 7. Volksschauspiel as Trade Mark – The Oberammergau Passion Play as a Paradigm of Imagined Folk Play Toni BernhartPart III. Layers of AuthenticityChapter 8. ‘Jesus-Casting’ as a Public Event: Oberammergau’s Wilhelm Tell Céline MolterChapter 9. Let it Grow. The Holy Hair Styles of Oberammergau. Julia StenzelPart IV. Compliance and Transgression – Literary ImaginationsChapter 10. Work on Myth, Work on the Institution. On Narrating Oberammergau (19th-21st centuries) Jan MohrChapter 11. Constructing and Staging the Figure of Christ in Passion Play Fictions Martin LeutzschChapter 12. "What Kind of Man Must this Christ Be?" A Male Body and its Remains, Oberammergau, 1890 Julia StenzelChapter 13. Playing With Traditions. A Summary and a Glance at the Passion Play 2022Jan Mohr, Julia StenzelIndex

Jan Mohr is Assistant Professor for Medieval German Literature at LMU Munich, Germany.Julia Stenzel is Professor of Theatre Studies at the University of Mainz, Germany.

• AcknowledgementsList of FiguresContributor BiosChapter 1. How to Become a Trademark. An Introduction Jan Mohr, Julia StenzelPart I. Being a Trademark – Typological and Historical OutlinesChapter 2. Comparing Singularities: The Passion Play and the Papacy Mariano BarbatoChapter 3. Tradition, Authority and Autonomy at the Oberammergau Passion Play, 1860 and 1890 Robert PriestPart II. Assembly, Community, Society – Negotiating the Theatrical Public SphereChapter 4. Pilgrims, Tourists and Ethnographers – on the Journey to the Passion Play Jan MohrChapter 5. ‘Visit Romantic Germany in the Oberammergau Year’. Scenographic Perspectives on the Village and its Passion Play in Travel Adverts Dominic ZerhochChapter 6. Quotations of the Passion Play Form. Oberammergau and the Nazi Thingspiele Evelyn AnnußChapter 7. Volksschauspiel as Trade Mark – The Oberammergau Passion Play as a Paradigm of Imagined Folk Play Toni BernhartPart III. Layers of AuthenticityChapter 8. ‘Jesus-Casting’ as a Public Event: Oberammergau’s Wilhelm Tell Céline MolterChapter 9. Let it Grow. The Holy Hair Styles of Oberammergau. Julia StenzelPart IV. Compliance and Transgression – Literary ImaginationsChapter 10. Work on Myth, Work on the Institution. On Narrating Oberammergau (19th-21st centuries) Jan MohrChapter 11. Constructing and Staging the Figure of Christ in Passion Play Fictions Martin LeutzschChapter 12. "What Kind of Man Must this Christ Be?" A Male Body and its Remains, Oberammergau, 1890 Julia StenzelChapter 13. Playing With Traditions. A Summary and a Glance at the Passion Play 2022Jan Mohr, Julia StenzelIndex