Wen-chin Ouyang, FBA is Professor of Arabic and Comparative Literature at SOAS, University of London. Born in Taiwan and raised in Libya, she completed her BA in Arabic at Tripoli University and PhD in Middle Eastern Studies at Columbia University in New York City. She is the author of Literary Criticism in Medieval Arabic-Islamic Culture: The Making of a Tradition (1997), Poetics of Love in the Arabic Novel (2012) and Politics of Nostalgia in the Arabic Novel (2013). She has also published widely on The Thousand and One Nights, often in comparison with classical and modern Arabic narrative traditions, European and Hollywood cinema, magic realism, and Chinese storytelling. She founded and co-edits Edinburgh Studies in Classical Arabic Literature, and is also Editor-in-Chief of Middle Eastern Literatures. She was a member of the judging panel for Man Booker International Prize for Fiction 2013-15. A native speaker of Arabic and Chinese, she has been working towards Arabic-Chinese comparative literary and cultural studies, including Silk Road Studies.

• ForewordPart I: Nostlagia1. The Invention of Tradition2. The Mysterious (Dis)Appearance of TraditionPart II: Madness: In the Ruins of Dream and Memory3. Semiology of Madness4. Semiotics of TyrannyPart III: Narrating the Nation: Time, History, Story5. History6. StoryEpilogueBibliography

Wen-chin Ouyang, FBA is Professor of Arabic and Comparative Literature at SOAS, University of London. Born in Taiwan and raised in Libya, she completed her BA in Arabic at Tripoli University and PhD in Middle Eastern Studies at Columbia University in New York City. She is the author of Literary Criticism in Medieval Arabic-Islamic Culture: The Making of a Tradition (1997), Poetics of Love in the Arabic Novel (2012) and Politics of Nostalgia in the Arabic Novel (2013). She has also published widely on The Thousand and One Nights, often in comparison with classical and modern Arabic narrative traditions, European and Hollywood cinema, magic realism, and Chinese storytelling. She founded and co-edits Edinburgh Studies in Classical Arabic Literature, and is also Editor-in-Chief of Middle Eastern Literatures. She was a member of the judging panel for Man Booker International Prize for Fiction 2013-15. A native speaker of Arabic and Chinese, she has been working towards Arabic-Chinese comparative literary and cultural studies, including Silk Road Studies.

• ForewordPart I: Nostlagia1. The Invention of Tradition2. The Mysterious (Dis)Appearance of TraditionPart II: Madness: In the Ruins of Dream and Memory3. Semiology of Madness4. Semiotics of TyrannyPart III: Narrating the Nation: Time, History, Story5. History6. StoryEpilogueBibliography

Wen-chin Ouyang, FBA is Professor of Arabic and Comparative Literature at SOAS, University of London. Born in Taiwan and raised in Libya, she completed her BA in Arabic at Tripoli University and PhD in Middle Eastern Studies at Columbia University in New York City. She is the author of Literary Criticism in Medieval Arabic-Islamic Culture: The Making of a Tradition (1997), Poetics of Love in the Arabic Novel (2012) and Politics of Nostalgia in the Arabic Novel (2013). She has also published widely on The Thousand and One Nights, often in comparison with classical and modern Arabic narrative traditions, European and Hollywood cinema, magic realism, and Chinese storytelling. She founded and co-edits Edinburgh Studies in Classical Arabic Literature, and is also Editor-in-Chief of Middle Eastern Literatures. She was a member of the judging panel for Man Booker International Prize for Fiction 2013-15. A native speaker of Arabic and Chinese, she has been working towards Arabic-Chinese comparative literary and cultural studies, including Silk Road Studies.

• ForewordPart I: Nostlagia1. The Invention of Tradition2. The Mysterious (Dis)Appearance of TraditionPart II: Madness: In the Ruins of Dream and Memory3. Semiology of Madness4. Semiotics of TyrannyPart III: Narrating the Nation: Time, History, Story5. History6. StoryEpilogueBibliography