Sarah Jensen is an Assistant Professor of Media Studies in the Department of Arts, Culture and Media at the University of Toronto Scarborough, Canada.Elicia Clements is a cross-appointed Associate Professor of the Departments of English and Humanities and Chair of the Department of Humanities at York University, Canada.

• IntroductionSarah Jensen and Elicia ClementsPart 1: Intermedial Crossings1. Watching Dunham Dance: Langston Hughes at the BalletRebecca Bradburn2. El Lissitzky in the Intermedial EraJonathan Najarian3. Zelda Fitzgerald’s Intermedial, Embodied CelebrityEmily Christina Murphy4. Intimate Disruptions: Visuality, Affect, and the Politics of Colour in Eileen ChangShiyi Zhu5. Dorothy Day’s Intermaterial ModernismSean WeidmanPart 2: Intermedial Networks6. Materializing the Immaterial: The BBC’s Intermedial ObjectsDebra Rae Cohen7. Mexican Muralism and the Collective Novel: Monumentality and Multiplicity in John Dos Passos’ U.S.A and Diego Rivera’s Secretariat de Educación Pública MuralsGeneva Gano8. Lines in Motion: The Tableaux Animés of Isadora Duncan and Maurice DenisRachel Coombes9. The Sapphic Conviviality of the “Academy of Witches”: Carmen Conde and Amanda Junquera’s Intermedial CollaborationsAngela AcostaPart 3: Intermedial Afterlives10. An Assurance of a Fuller Self: On Black Female Subjectivity in Mary P. Burrill, Firelei Báez, and Miatta Kawinzi Erica N. Caldwell11. Transnational Networks, Collaborations, and the Refunctioning of Indo-German Jazz: The Patronage of the Goethe Institut-Max Mueller BhavanMalvika Singh12. Working In-Between Dreams and Reality: Winsor McCay’s Little Nemo and Modernist IntermedialityAlison Halsall13. Ann Petry’s Transmedial Re-emergence: Hearing The Street in 2020Sarah Jensen