Joyfully tearing down the compartment walls that conventionally separate fascist studies from research into jihadism, and gleefully crossing the boundaries between aesthetics and politics, Botz-Bornstein challenges, or rather provokes, the reader to reconfigure the space that fascist and terrorist destructiveness occupy in the contemporary media, party-political and historical imaginations. Not afraid to alienate experts in both fields of study, his book creates new connections and suggests fresh juxtapositions with futurist abandon. Though the ludic may prevail over the academic, The Political Aesthetics of ISIS and Italian Futurism exposes the veins of a perversely politicized brand of modernism that throb just under the surface of two ideologies that claim to be rooted in an imperial or religious tradition, and which expresses itself in deliberately staged acts of spectacularly aestheticized destruction.