Policing and The Media

Marianne Colbran is Honorary Fellow in Criminology at the University of Edinburgh and Visiting Research Fellow at LSE. She is also a Royal Literary Fund Fellow (2024–26) and a former scriptwriter for The Bill.

• 1. Police and the media: setting the scene 2. How representations of the police in the news have changed over the last fifty years 3. Creating news stories: the impact of police and media relations on crime news 4. Policing and social media 5. Thief-takers and rule-breakers: the changing image of the TV cop 6. Why television police dramas never tell the "truth" about policing 7. The police and “reality” television 8. The "thin blue line" and other themes: the problems with media representations of policing

The media and the police have had a codependent relationship since they emerged in their modern forms over two centuries ago. Both serve crucial functions for each other, but they have often been in conflict. This excellent book reviews and analyses this tense but unending relationship between two pivotal powerful institutions. It charts and explains the amity and discord as it has fluctuated over time, and is comprehensive and up to date. Written by an eminent authority who has done much original research especially on processes of media production, it is a must read for all students, practitioners and policymakers concerned with policing. Composed in a clear, engaging style it will also fascinate general readers who have always provided large audiences for police stories in many formats. Robert Reiner, Emeritus Professor of Criminology, LSE Law SchoolColbran provides incisive analysis on media representations of policing amid growing awareness through media fragmentation that police do not treat everybody the same. Colbran emphasises that because many people will base their perceptions of the police on their media consumption, that every selection of a news media angle on police and policing involves omissions that never make into the news media or social media frame. Through a range of insightful case studies from the UK, the US, and Australia, she puts media production processes into the frame. As she rightly notes, without critically analysing how, why and what makes it into the final media products that represent policing, we will continue to gloss the structural inequities that can be perpetuated through stereotypical interpretations of policing in digital societies.Justin Ellis, Senior Lecturer in Criminology, University of Newcastle, AustraliaThis timely text offers a critical examination of the evolving relationship between police and the media at a moment when questions of representation, trust, and legitimacy are more pressing than ever. Drawing on her distinctive perspective as a former television writer, her empirical research into police-media relations, and her engagement with a wide body of international scholarship, Colbran expertly explores how police narratives are constructed across news, entertainment, and social media, and why these stories matter. Rich with case studies and examples, grounded in key conceptual frameworks, and featuring reflective questions at the end of each chapter, this book is an invaluable resource for students and scholars seeking an introduction the complex interplay between the police, media, and public perceptions.Alyce Mc Govern, Associate Professor in Criminology, University of New South Wales. Australia.Colbran has produced an extensive exacting overview of the relationship between police, media and ultimately the public. Importantly, it explores submerged narratives and hidden agendas, exposing media simplification and exaggeration, as well plotting the extent that police will go to in furthering agendas. In a period where trust in police has waned, and police scandals are semi-regular news, Colbran’s exploration of police media power seems particularly pertinent. The book should be of immense value to students and scholars of policing studies and criminology.Murray Lee, Professor of Criminology, University of Sydney.