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Poetry is an ancient verbal art, which has its roots in the oral epics and fragments that survive from classical times. Dictionaries of English, by contrast, are a comparatively recent phenomenon, beginning with the ‘hard words’ that Robert Cawdrey gathered in A Table Alphabeticall in 1604 and extending to the present edition of the Oxford English Dictionary, with its ongoing revisions. This innovative collection of essays is the first volume to explore the ways in which dictionaries have stimulated the imaginations of modern and contemporary poets from Britain, Ireland, and America, while also considering how poetry has itself been a rich source of material for lexicographers. As well as gauging the influence of major dictionaries like the OED, the essays single out encounters with more specialised works and broach uses of words that are not typically included in dictionaries. In doing so, the contributors not only cast familiar questions of ambiguity and etymology in a fresh light, but they also reveal a number of surprising and energising points of contact, from Hugh MacDiarmid’s rediscovery of Scots to Tina Darragh’s visual appropriations of dictionary pages. As such, Poetry & the Dictionary will prove an indispensable volume for all readers – academic or not – who find themselves fascinated by the language’s many involutions.
Andrew Blades is Lecturer in English at the University of Bristol. Piers Pennington completed his doctoral studies at Corpus Christi College, Oxford.
Part 1: Poetry and the Dictionary 1. IntroductionAndrew Blades and Piers Pennington 2. ‘When I feel inclined to read poetry I take down my Dictionary’: Poets and Dictionaries, Dictionaries and PoetsCharlotte Brewer 3. Poetry in the Oxford English Dictionary: A Quantitative ProfileDavid-Antoine Williams 4. Lexicography in Modern PoetryMatthew SperlingPart 2: British and Irish Poetry and the Dictionary 5. Jamieson, Jargons, Jangles, and Jokes: Hugh MacDiarmid and DictionariesMichael Whitworth 6. Not even inventedDeborah Bowman 7. Proper Names, the Dictionary, and the Poetry of ExperimentPiers Pennington 8. Etymology and Elegy: Paul Muldoon’s ‘Yarrow’ and ‘Cuthbert and the Otters’Mia Gaudern Part 3: American Poetry and the Dictionary 9. Briefer Mentions and Lyrical Lexicons: Marianne Moore’s Responses to Dictionaries in The Dial and ObservationsTara Stubbs10. A Collected Unconscious: James Merrill’s DictionariesAndrew Blades 11. ‘All Things are Words of Some Strange Tongue’: Dictionary Definition Form in Contemporary American PoetryKate Potts 12. Long Poems about Everything: Dictionary as Subject and Model for Poem, 1974–2016Giles Goodland
'Looking through a … broader scope, Piers Pennington and Andrew Blades's Poetry & the Dictionary tracks the centuries-long relationship between the terms of their book's title … remind[ing] us that the dictionary itself cannot be "depersonalized," that no "picture" it presents is necessarily clear.' Chelsie Malyszek, LA Review of Books