Catherine Karkov is a Professor of art history at the University of Leeds who specializes in Anglo-Saxon Art, material culture, and gender in late antiquity and the early medieval culture.

• Abbreviations Introduction by Patrick W. Conner The Wearmouth Icon of the Virgin (A.D.679): Christological, Liturgical, and Iconographic Contexts by Eamonn O Carragain The Dream of the Rood at Nones on Good Friday by Sarah Larratt Keefer Prophetic Vision in The Dream of the Rood by Thomas N. Hall Þyle as Fool: Revisiting Beowulf's Hunferth by Leslie A. Donovan The nathwylc Scribe and the nathwylc Text of Beowulf by Kevin Kiernan Aeoeldreda in the Old English Bede by Paul E. Szarmach Goscelin, the Liber confortatorius, and the Library of Peterborough by Katherine O'Brien O'Keeffe The Lady and the Vine: Putting the Horsewoman on the Hilton of Cadboll Cross-slab into Context by Kellie S. Meyer Petitionary Poetry in Old English and Early Welsh: Deor, Widsio, Dadolwch Urien by David N. Klausner Revisiting Anglo-Scandinavian Settlement and Sculpture by Christopher D. Morris The MalshattakvAeoi or "Proverb Poem" Englished by Roberta Frank From the Wound in Christ's Side to the Wound in His Heart: Progression from Male Exegesis to Female Mysticism by George Hardin Brown Translating Images: Image and Poetic Reception in French, English, and Latin Versions of Guillaume de Deguileville's Trois Pelerinages by Richard K. Emmerson Dante's Views on Judaism, Christianity, and Islam: Perspectives from the New (Fourteenth) Century by Christopher Kleinhenz Bibliography Contributors Index of Manuscripts General Index