Although Kees remained invisible to academics, he exerted a powerful influence on young poets. The huge gap in Kees’s reputation between poets and professors came to symbolize the stark differences in literary taste among creative and theoretical thinkers who often coexist uneasily in the same English department. John T. Irwin, a poet and literary critic who teaches at Johns Hopkins University, has partially closed the gap in a brilliant new study of this neglected author. Most pioneering monographs are cautious in their approach. Irwin’s The Poetry of Weldon Kees: Vanishing as Presence is audacious and provocatively speculative. Declaring Kees ‘the most interesting poet of his generation,’ Irwin frames the author’s life and work against a backdrop of modern literature and philosophy. concise, clearly argued, and free from critical cant, the book is a model of scholarly writing; it also reminds the reader how revelatory literary criticism can be. For Irwin, the stakes are not merely academic; understanding Kees is literally a matter of life or death.—Dana Gioia, Poet and former NEA chair, The American Scholar