Emilio Russo teaches Italian Literature at the ‘Sapienza’ Università di Roma. His research focuses on Renaissance and Baroque authors (Ariosto, Tasso, Marino) and 19th century authors (Leopardi, Nievo). In the field of Marino he published Studi su Marino e Tasso (Antenore, 2005), Marino (Salerno Editrice, 2008), and edited the annotated edition of the Adone (Rizzoli, 2013). Patrizia Tosini is associate professor of History of Modern Art at Università Roma Tre. His studies revolve around the figurative arts of the Counter-Reformation, in particular painting and drawing in Rome between the 16th and 17th centuries, a theme on which he has published numerous studies, including the monograph Girolamo Muziano. Dalla Maniera alla natura (Ugo Bozzi, 2008). Andrea Zezza is full professor of History of Modern Art at the University della Campania 'Luigi Vanvitelli'. He mainly deals with the history of art in southern Italy between the 16th and 18th centuries. For Officina Libraria he recently edited Raffaello. 500 anni dopo (2024).

• Introduction (Francesca Cappelletti)Preface (Lina Bolzoni)1.Andrea Zezza, Marino's Beginnings and the Relationship between Poetry and Painting2.Patrizia Tosini, The Rome of Marino3.Beatrice Tomei, Collecting images, Works and Texts: Marino the Poet and Art Lover4.Carlo Caruso, Prehistory and History of La Galeria by Giovan Battista Marino 5.Emilio Russo, The Adonis and the Massacre of the Innocents6.Mickaël Szanto, Marino and PoussinSectionsI.Poetry and Painting in the Seventeenth Century. Introduction to Giovan Battista Marino II. La Galeria and Marino's Dialogue with Artists III.The Massacre of the InnocentsIV.The Adonis between Sacred and ProfaneV.Farewell. The Apotheosis of Marino and the Discovery of Nicolas PoussinEntries (c. 40)Chronology of Giovan Battista MarinoAnthology of Giovan Battista Marino's textsBibliography Index of names

Emilio Russo teaches Italian Literature at the ‘Sapienza’ Università di Roma. His research focuses on Renaissance and Baroque authors (Ariosto, Tasso, Marino) and 19th century authors (Leopardi, Nievo). In the field of Marino he published Studi su Marino e Tasso (Antenore, 2005), Marino (Salerno Editrice, 2008), and edited the annotated edition of the Adone (Rizzoli, 2013). Patrizia Tosini is associate professor of History of Modern Art at Università Roma Tre. His studies revolve around the figurative arts of the Counter-Reformation, in particular painting and drawing in Rome between the 16th and 17th centuries, a theme on which he has published numerous studies, including the monograph Girolamo Muziano. Dalla Maniera alla natura (Ugo Bozzi, 2008). Andrea Zezza is full professor of History of Modern Art at the University della Campania 'Luigi Vanvitelli'. He mainly deals with the history of art in southern Italy between the 16th and 18th centuries. For Officina Libraria he recently edited Raffaello. 500 anni dopo (2024).

• Introduction (Francesca Cappelletti)Preface (Lina Bolzoni)1.Andrea Zezza, Marino's Beginnings and the Relationship between Poetry and Painting2.Patrizia Tosini, The Rome of Marino3.Beatrice Tomei, Collecting images, Works and Texts: Marino the Poet and Art Lover4.Carlo Caruso, Prehistory and History of La Galeria by Giovan Battista Marino 5.Emilio Russo, The Adonis and the Massacre of the Innocents6.Mickaël Szanto, Marino and PoussinSectionsI.Poetry and Painting in the Seventeenth Century. Introduction to Giovan Battista Marino II. La Galeria and Marino's Dialogue with Artists III.The Massacre of the InnocentsIV.The Adonis between Sacred and ProfaneV.Farewell. The Apotheosis of Marino and the Discovery of Nicolas PoussinEntries (c. 40)Chronology of Giovan Battista MarinoAnthology of Giovan Battista Marino's textsBibliography Index of names

Emilio Russo teaches Italian Literature at the ‘Sapienza’ Università di Roma. His research focuses on Renaissance and Baroque authors (Ariosto, Tasso, Marino) and 19th century authors (Leopardi, Nievo). In the field of Marino he published Studi su Marino e Tasso (Antenore, 2005), Marino (Salerno Editrice, 2008), and edited the annotated edition of the Adone (Rizzoli, 2013). Patrizia Tosini is associate professor of History of Modern Art at Università Roma Tre. His studies revolve around the figurative arts of the Counter-Reformation, in particular painting and drawing in Rome between the 16th and 17th centuries, a theme on which he has published numerous studies, including the monograph Girolamo Muziano. Dalla Maniera alla natura (Ugo Bozzi, 2008). Andrea Zezza is full professor of History of Modern Art at the University della Campania 'Luigi Vanvitelli'. He mainly deals with the history of art in southern Italy between the 16th and 18th centuries. For Officina Libraria he recently edited Raffaello. 500 anni dopo (2024).

• Introduction (Francesca Cappelletti)Preface (Lina Bolzoni)1.Andrea Zezza, Marino's Beginnings and the Relationship between Poetry and Painting2.Patrizia Tosini, The Rome of Marino3.Beatrice Tomei, Collecting images, Works and Texts: Marino the Poet and Art Lover4.Carlo Caruso, Prehistory and History of La Galeria by Giovan Battista Marino 5.Emilio Russo, The Adonis and the Massacre of the Innocents6.Mickaël Szanto, Marino and PoussinSectionsI.Poetry and Painting in the Seventeenth Century. Introduction to Giovan Battista Marino II. La Galeria and Marino's Dialogue with Artists III.The Massacre of the InnocentsIV.The Adonis between Sacred and ProfaneV.Farewell. The Apotheosis of Marino and the Discovery of Nicolas PoussinEntries (c. 40)Chronology of Giovan Battista MarinoAnthology of Giovan Battista Marino's textsBibliography Index of names