Noshi Gillani was born in Pakistan in 1964. Her fifth collection of poems: Ay Meeray Shureek-E-Risal-E-Jaan, Hum Tera Intezaar Kurtay Rahey (O My Beloved, I Kept Waiting for You) was published in Pakistan in 2008.The candour and frankness of her highly-charged poems is unusual for a woman writing in Urdu and she has gained a committed international audience, performing regularly at large poetry gatherings in Pakistan, Australia, Canada and the US. Unknown outside the Pakistani community, the translations here mark her introduction to an English-speaking audience.Nukhbah Langah was born in Pakistan and came to the UK to complete her PhD on contemporary Siraiki poetry at the University of Leeds. She has returned to Pakistan and is now teaching in the English faculty of Forman Christian College University (FCCU) in Lahore. Lavinia Greenlaw was born in London, where she has lived for most of her life. She has published four collections of poetry: Night Photograph (1993), A World Where News Travelled Slowly (1997), Minsk (2003), which was shortlisted for the T.S. Eliot, Forward and Whitbread Poetry Prizes, and The Casual Perfect (2011). Her first novel, Mary George of Allnorthover, was published in 2001 and has appeared in the Netherlands, the United States, Germany and France, where it won the Prix du Premier Roman Etranger. A second novel, An Irresponsible Age, appeared in 2006, followed by two non-fiction works: The Importance of Music to Girls (2007) and Questions of Travel: William Morris in Iceland (2011).In 2011 she received a commission from Artangel and Manchester International Festival which resulted in the sound work Audio Obscura, installed at Manchester Piccadilly station in July 2011 and St Pancras International, London.She has an MA in Seventeenth-Century Art from the Courtauld Institute and was awarded a three-year NESTA fellowship in 2001 in order to pursue her interest in vision, travel and perception. She has held a number of residencies including at the Science Museum and the Royal Society of Medicine. She is a Fellow of the Royal Society of Literature, a former Chair of the Poetry Society, and Professor of Creative Writing at the University of East Anglia, where she directs the Poetry MA.Commissions she has undertaken include writing about Titian for the National Gallery, Constable for Tate Britain, Christine Borland for Bookworks, and Garry Fabian Miller for the V&A, as well as a poem to mark the centenary of the Theory of Relativity for the Science Museum.Her work for music includes libretti for Peter Pan (composer Richard Ayres, Staatsoper Stuttgart/Komische Oper Berlin/Welsh National Opera) and Ian Wilson
Noshi Gillani was born in Pakistan in 1964. Her fifth collection of poems: Ay Meeray Shureek-E-Risal-E-Jaan, Hum Tera Intezaar Kurtay Rahey (O My Beloved, I Kept Waiting for You) was published in Pakistan in 2008.The candour and frankness of her highly-charged poems is unusual for a woman writing in Urdu and she has gained a committed international audience, performing regularly at large poetry gatherings in Pakistan, Australia, Canada and the US. Unknown outside the Pakistani community, the translations here mark her introduction to an English-speaking audience.Nukhbah Langah was born in Pakistan and came to the UK to complete her PhD on contemporary Siraiki poetry at the University of Leeds. She has returned to Pakistan and is now teaching in the English faculty of Forman Christian College University (FCCU) in Lahore. Lavinia Greenlaw was born in London, where she has lived for most of her life. She has published four collections of poetry: Night Photograph (1993), A World Where News Travelled Slowly (1997), Minsk (2003), which was shortlisted for the T.S. Eliot, Forward and Whitbread Poetry Prizes, and The Casual Perfect (2011). Her first novel, Mary George of Allnorthover, was published in 2001 and has appeared in the Netherlands, the United States, Germany and France, where it won the Prix du Premier Roman Etranger. A second novel, An Irresponsible Age, appeared in 2006, followed by two non-fiction works: The Importance of Music to Girls (2007) and Questions of Travel: William Morris in Iceland (2011).In 2011 she received a commission from Artangel and Manchester International Festival which resulted in the sound work Audio Obscura, installed at Manchester Piccadilly station in July 2011 and St Pancras International, London.She has an MA in Seventeenth-Century Art from the Courtauld Institute and was awarded a three-year NESTA fellowship in 2001 in order to pursue her interest in vision, travel and perception. She has held a number of residencies including at the Science Museum and the Royal Society of Medicine. She is a Fellow of the Royal Society of Literature, a former Chair of the Poetry Society, and Professor of Creative Writing at the University of East Anglia, where she directs the Poetry MA.Commissions she has undertaken include writing about Titian for the National Gallery, Constable for Tate Britain, Christine Borland for Bookworks, and Garry Fabian Miller for the V&A, as well as a poem to mark the centenary of the Theory of Relativity for the Science Museum.Her work for music includes libretti for Peter Pan (composer Richard Ayres, Staatsoper Stuttgart/Komische Oper Berlin/Welsh National Opera) and Ian Wilson