Playing For Real

MARY LUCKHURST is Professor of Modern Drama and a founder of the new Department of Theatre, Film and Television at the University of York.  She is an award-winning playwright and director and an authority on dramaturgy, acting, directing and political theatres.  She has published Dramaturgy: A Revolution in Theatre for Cambridge University Press, edited two substantial volumes for Blackwells A Companion to Modern British and Irish Drama and the Companion to Contemporary British and Irish Drama, and two volumes of interview material for Faber& Faber On Acting and On Directing. She is the co-author of The Drama Handbook (with John Lennard) for Oxford University Press, and the editor of The Creative Writing Handbook for Palgrave. In 2006 she was declared to be one of the 50 best teachers and researchers in British Higher Education and made a fellow of the Higher Education Academy. TOM CANTRELL is a researcher at the University of York and is investigating performance process in contemporary documentary theatre.  He is also a playwright and an actor, and teaches in the Department of Theatre, Film& Television.

• IntroductionINTERVIEWSRoger AllamEileen AtkinsSimon CallowChipo ChungOliver Ford DaviesDiane FletcherHenry GoodmanJeremy IronsMatthew MarshIan McKellenDavid MorrisseyJoseph MydellMichael PenningtonSiân PhillipsElena RogerTimothy West.

'This collection of 16 question-and-answer style interviews with leading actors gives a fascinating insight into the methods, challenges and rewards of taking on roles of people in the public eye.' - Whatsonstage.com 'This book of interviews brilliantly explores what it means for an actor to be playing Freud or Gordon Brown, Lawrence of Arabia or Charles Dickens. The actors' answers are as various as the people being portrayed but the intriguing problem these interviews investigate is, for the first time, excitingly put centre-stage.' - Peter Holland, McMeel Family Professor in Shakespeare Studies, University of Notre Dame, USA 'This invaluable book offers riveting and fascinating insights into the actor's process and the crucial question as to how fact might become fiction.' - Steve Waters, playwright and academic, University of Birmingham, UK