Intervening eloquently into our relationship with planet Earth, Howard Caygill examines the two diverging conceptions of planetary consciousness that emerged from the cultural shock of Apollo 8’s seminal ‘Earthrise’ image. Where earth sciences have taken a holistic view of our planet informed by ideas of systematicity - earth, environmental and activist art are instead united by their disjunctive view of tension and tectonic connectivity. Caygill starts by explaining the role of NASA and the instruments of planetary measurement and objectification in shaping much of today’s discourse around our presence on Earth. He frames the conceptual assumptions packed into this science, and its central role in informing climate activism, as being overdue philosophical scrutiny. From this point, the book pivots to the view that is so often proposed as an alternative, built around artists’ fascination with contested sites and fault lines in areas like forests, rivers, ice, sea, air and deserts. Ultimately, Caygill’s conclusion is that neither approach gives us exactly the tools that we need to deal with our planet’s ills. Working between the two, his new and disjunctive understanding of Earth instead corrects the trajectories of thought that span off from our first shared glimpse of it.
Howard Caygill is the professor of modern European philosophy at the University of Kingston, UK. He is the author of books including Kafka: In Light of the Accident (Bloomsbury, 2017), On Resistance: A Philosophy of Defiance (Bloomsbury, 2015) and Force and Understanding (Bloomsbury, 2020).
Introduction: Planetary Aesthetic between Synopsis and SynechisPart One: Synoptic Consciousness and Earth System Science1. The Planet as Battlefield2. The Making of ‘Earthrise'3. NASA’s Earth System Science Mission4. The Anthropocene, Extinction and the Aton BombPart Two: Synechic Consciousness and the Earth Arts5. Art’s Rethinking the Earth6. Arts of the Forest7. Art of the River8. Arts of the Sea9. Arts of the Desert10. Arts of Air and IceConclusion Activism and Planetary Consciousness
Intervening eloquently into our relationship with planet Earth, Howard Caygill examines the two diverging conceptions of planetary consciousness that emerged from the cultural shock of Apollo 8’s seminal ‘Earthrise’ image. Where earth sciences have taken a holistic view of our planet informed by ideas of systematicity - earth, environmental and activist art are instead united by their disjunctive view of tension and tectonic connectivity. Caygill starts by explaining the role of NASA and the instruments of planetary measurement and objectification in shaping much of today’s discourse around our presence on Earth. He frames the conceptual assumptions packed into this science, and its central role in informing climate activism, as being overdue philosophical scrutiny. From this point, the book pivots to the view that is so often proposed as an alternative, built around artists’ fascination with contested sites and fault lines in areas like forests, rivers, ice, sea, air and deserts. Ultimately, Caygill’s conclusion is that neither approach gives us exactly the tools that we need to deal with our planet’s ills. Working between the two, his new and disjunctive understanding of Earth instead corrects the trajectories of thought that span off from our first shared glimpse of it.
Howard Caygill is the professor of modern European philosophy at the University of Kingston, UK. He is the author of books including Kafka: In Light of the Accident (Bloomsbury, 2017), On Resistance: A Philosophy of Defiance (Bloomsbury, 2015) and Force and Understanding (Bloomsbury, 2020).
Introduction: Planetary Aesthetic between Synopsis and SynechisPart One: Synoptic Consciousness and Earth System Science1. The Planet as Battlefield2. The Making of ‘Earthrise'3. NASA’s Earth System Science Mission4. The Anthropocene, Extinction and the Aton BombPart Two: Synechic Consciousness and the Earth Arts5. Art’s Rethinking the Earth6. Arts of the Forest7. Art of the River8. Arts of the Sea9. Arts of the Desert10. Arts of Air and IceConclusion Activism and Planetary Consciousness
Intervening eloquently into our relationship with planet Earth, Howard Caygill examines the two diverging conceptions of planetary consciousness that emerged from the cultural shock of Apollo 8’s seminal ‘Earthrise’ image. Where earth sciences have taken a holistic view of our planet informed by ideas of systematicity - earth, environmental and activist art are instead united by their disjunctive view of tension and tectonic connectivity. Caygill starts by explaining the role of NASA and the instruments of planetary measurement and objectification in shaping much of today’s discourse around our presence on Earth. He frames the conceptual assumptions packed into this science, and its central role in informing climate activism, as being overdue philosophical scrutiny. From this point, the book pivots to the view that is so often proposed as an alternative, built around artists’ fascination with contested sites and fault lines in areas like forests, rivers, ice, sea, air and deserts. Ultimately, Caygill’s conclusion is that neither approach gives us exactly the tools that we need to deal with our planet’s ills. Working between the two, his new and disjunctive understanding of Earth instead corrects the trajectories of thought that span off from our first shared glimpse of it.
Howard Caygill is the professor of modern European philosophy at the University of Kingston, UK. He is the author of books including Kafka: In Light of the Accident (Bloomsbury, 2017), On Resistance: A Philosophy of Defiance (Bloomsbury, 2015) and Force and Understanding (Bloomsbury, 2020).
Introduction: Planetary Aesthetic between Synopsis and SynechisPart One: Synoptic Consciousness and Earth System Science1. The Planet as Battlefield2. The Making of ‘Earthrise'3. NASA’s Earth System Science Mission4. The Anthropocene, Extinction and the Aton BombPart Two: Synechic Consciousness and the Earth Arts5. Art’s Rethinking the Earth6. Arts of the Forest7. Art of the River8. Arts of the Sea9. Arts of the Desert10. Arts of Air and IceConclusion Activism and Planetary Consciousness