Del 2 - Media / Art / Politics

Place: Towards a Geophilosophy of Photography

Häftad, Engelska, 2021

799 kr

Beställningsvara. Skickas inom 7-10 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

By examining photography through geography and philosophy, this book makes evident that place is not the content of a definite representation. To do this, it breaks down the participatory elements of photography into six tropes: the photographer, the camera, the photograph, the image, the spectator, and the genre. Afterwards, through a rigorous theoretical analysis of each of these themes vis-à-vis the notion of place, it shows how they manifest inactive, contingent, unlocalizable, liminal, evental, agential and exigent features. In doing so, it establishes a ‘geophilosophy of photography’, which regards place as that which resists being restricted to where it is (the photographer), to what it is (the camera), to where it goes (the photograph), to what it encloses (the photographic image), to how and when it occurs (the spectator), and to what it represents (the genre).

Produktinformation

Utgivningsdatum2021-03-01
Mått156 x 234 x undefined mm
FormatHäftad
SpråkEngelska
SerieMedia / Art / Politics
Antal sidor182
FörlagLeiden University Press
ISBN9789087283582

Tillhör följande kategorier

Fotoredigering och bildredigering inom Data och it
Filosofi inom Filosofi och religion
Fotoböcker inom Kultur

Contents Introduction Chapter One. The Photographer: A Corporeal Place in the Phenomenal World - Going for a Walk with a Lived Body - Inhabiting the World as a “lived place” - Confrontational Aesthetics of Corporeality Chapter Two. The Camera: A Place That Spatialises Time and Temporalises Space - Seeing through the Camera - An Apparatus that Lies in Wait 40The Black Box of Contingency Chapter Three. The Photograph: A Place That Lacks Its Own Emplacement - Never in a Single Location - A Placeless Place Sailing Across Different Spaces - The Vagabond Locomotion of Photographs Chapter Four. Photographic Place: Looking at the Photographic Image from Its Edge - Specificities of the Photographic Frame - Photographic Place in a Maximised Blind Field - Photographic Place in a Minimised Blind Field - Liminality of the Photographic Place Chapter Five. The Spectator: A Place That Is Sempiternally Taking Place - Place as a State of Being - “The event of photography” 98The Evental Place of Photography Chapter Six. The Genre: The Aftermath of Place - Landscape and the Agency of Place - The Spectrality of the Image - The Temporality of the Text - The Exigency of the Photographed Place Epilogue: The Geophilosophy of Photography Acknowledgments Notes References Index

“Shobeiri’s notion of ‘geophilosophy’ is an important contribution to the field. Its merits are twofold: on the one hand, it thoroughly brings together three disciplines in a very organic and convincing way; on the other hand, it also offers an excellent synthesis of the existing research on ‘place’, which serves as an echo chamber to the authors and concepts that are creatively appropriated in this work.”