Elizabeth Emery is Professor of French in the Department of Modern Languages and Literatures at Montclair State University, USA.

• Contents: Introduction; La Maison d'un artiste: the writer's Home as self-portrait; Writers at home and in the popular press: truth and fiction; From home to habitat: Bricabracomania and la Nouvelle Psychologie; Home life as fiction; Photo-interviews as narrative acts; Literary pilgrimage and the cult of the writer house museum; Conclusion; Works cited; Index.

'Professor Emery’s detailed study provides a fresh perspective on conjunctions between visual, literary, and material cultures.' Museums & Heritage Magazine 'Emery wears her remarkable erudition lightly...’ Times Literary Supplement 'Photojournalism and the Origins of the French Writer House Museum is a treasure trove of previously unexamined resources and a huge array of unique photographs. The book will no doubt appeal to scholars in a number of fields, such as French studies, nineteenth-century literature and visual culture, cultural history, and museum studies.' H-France 'Emery’s work is groundbreaking for its scholarly focus on the historical context and formation of these museums. It makes for an absorbing read and should inspire us not only to revisit writer museums as sites that celebrated writers’ lives, but also, more importantly, as sites for critical study.' Nineteenth Century French Studies 'Whilst it clearly breaks new ground in highlighting the symbolic weight of the ’writer’s home’ in French fin-de-siècle and belle époque imagination, this book also offers a useful and refreshing synthesis of recent scholarship about the development of the mass-media, the social construction of celebrity and memory studies, human zoos, among others ... its inter-disciplinarity clearly enriches its argument through the variety of sources and theories it draws upon. It will be of particular interest to scholars of late nineteenth-century French cultural history and specialists of media studies, visual representations, popular culture and memory and heritage studies.' French History 'In this wide-ranging and exciting study, Elizabeth Emery explore the complex relationship among French writers, their audiences, and the print media in the late nineteenth and early twentieth centuries.' French Studies

Elizabeth Emery is Professor of French in the Department of Modern Languages and Literatures at Montclair State University, USA.

• Contents: Introduction; La Maison d'un artiste: the writer's Home as self-portrait; Writers at home and in the popular press: truth and fiction; From home to habitat: Bricabracomania and la Nouvelle Psychologie; Home life as fiction; Photo-interviews as narrative acts; Literary pilgrimage and the cult of the writer house museum; Conclusion; Works cited; Index.

'Professor Emery’s detailed study provides a fresh perspective on conjunctions between visual, literary, and material cultures.' Museums & Heritage Magazine 'Emery wears her remarkable erudition lightly...’ Times Literary Supplement 'Photojournalism and the Origins of the French Writer House Museum is a treasure trove of previously unexamined resources and a huge array of unique photographs. The book will no doubt appeal to scholars in a number of fields, such as French studies, nineteenth-century literature and visual culture, cultural history, and museum studies.' H-France 'Emery’s work is groundbreaking for its scholarly focus on the historical context and formation of these museums. It makes for an absorbing read and should inspire us not only to revisit writer museums as sites that celebrated writers’ lives, but also, more importantly, as sites for critical study.' Nineteenth Century French Studies 'Whilst it clearly breaks new ground in highlighting the symbolic weight of the ’writer’s home’ in French fin-de-siècle and belle époque imagination, this book also offers a useful and refreshing synthesis of recent scholarship about the development of the mass-media, the social construction of celebrity and memory studies, human zoos, among others ... its inter-disciplinarity clearly enriches its argument through the variety of sources and theories it draws upon. It will be of particular interest to scholars of late nineteenth-century French cultural history and specialists of media studies, visual representations, popular culture and memory and heritage studies.' French History 'In this wide-ranging and exciting study, Elizabeth Emery explore the complex relationship among French writers, their audiences, and the print media in the late nineteenth and early twentieth centuries.' French Studies

Elizabeth Emery is Professor of French in the Department of Modern Languages and Literatures at Montclair State University, USA.

• Contents: Introduction; La Maison d'un artiste: the writer's Home as self-portrait; Writers at home and in the popular press: truth and fiction; From home to habitat: Bricabracomania and la Nouvelle Psychologie; Home life as fiction; Photo-interviews as narrative acts; Literary pilgrimage and the cult of the writer house museum; Conclusion; Works cited; Index.

'Professor Emery’s detailed study provides a fresh perspective on conjunctions between visual, literary, and material cultures.' Museums & Heritage Magazine 'Emery wears her remarkable erudition lightly...’ Times Literary Supplement 'Photojournalism and the Origins of the French Writer House Museum is a treasure trove of previously unexamined resources and a huge array of unique photographs. The book will no doubt appeal to scholars in a number of fields, such as French studies, nineteenth-century literature and visual culture, cultural history, and museum studies.' H-France 'Emery’s work is groundbreaking for its scholarly focus on the historical context and formation of these museums. It makes for an absorbing read and should inspire us not only to revisit writer museums as sites that celebrated writers’ lives, but also, more importantly, as sites for critical study.' Nineteenth Century French Studies 'Whilst it clearly breaks new ground in highlighting the symbolic weight of the ’writer’s home’ in French fin-de-siècle and belle époque imagination, this book also offers a useful and refreshing synthesis of recent scholarship about the development of the mass-media, the social construction of celebrity and memory studies, human zoos, among others ... its inter-disciplinarity clearly enriches its argument through the variety of sources and theories it draws upon. It will be of particular interest to scholars of late nineteenth-century French cultural history and specialists of media studies, visual representations, popular culture and memory and heritage studies.' French History 'In this wide-ranging and exciting study, Elizabeth Emery explore the complex relationship among French writers, their audiences, and the print media in the late nineteenth and early twentieth centuries.' French Studies