Christina Rawls is Professor of Philosophy at Roger Williams University, USA.Diana Neiva is a Researcher at the Mind, Language, and Action Group of the Institute of Philosophy of the University of Porto, Portugal. Steven S. Gouveia is a Ph.D. candidate at the University of Minho, Portugal. He is the co-editor of Perception, Cognition, and Aesthetics (forthcoming, Routledge).

• PrefaceThomas E. WartenbergPart I: The Nature of FilmChapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film)Malcolm TurveyChapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of SkepticismJônadas TechioChapter 3: The Morph-Image: Four Forms of Post-CinemaSteen Ledet ChristiansenChapter 4: Deleuze’s CronosignsSusana ViegasPart II: The Film as Philosophy DebateChapter 5: The Bold Thesis Retired: On Cinema as PhilosophyPaisley LivingstonChapter 6: Film as Philosophical Thought Experiment: Some Challenges and OpportunitiesTom McClellandChapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerationsDiana NeivaChapter 8: Philosophical Dimensions of Cinematic ExperienceDavid DaviesPart III: The Philosophical Value of FilmChapter 9: Philosophical Experience and Experimental FilmChristopher FalzonChapter 10: Filmmaking as self-writing: Federico Fellini’s 8½ (1963)Roberto Mordacci Chapter 11: Film and EthicsRobert SinnerbrinkPart IV: Cinematic ExperienceChapter 12: Movies, Narration and the EmotionsNoël CarrollChapter 13: Predictive Processing and the Experimental Solution for the Paradox of FictionDina MendonçaChapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to CinemaHanna TrindadePart V: Interpreting Cinematic WorksChapter 15: The Blade Runner Question: From Philosophy to MythDeborah KnightChapter 16: Race, Bodies and Lived Realities in Get Out and Black PantherMary K. Bloodsworth-LugoChapter 17: Transnational Bio-Political Motives in Postmodern Cinema: Žižek and Badiou on Udi Aloni’s Forgiveness and Local AngelOana SerbanPart VI: Further DebatesChapter 18: Cinema and Television: The Art and Industry of Joint WorksInês Rebanda CoelhoChapter 19: Towards a Natural Screen PhilosophyHunter VaughnChapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From SomewhereJohn Ó Maoilearca

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Christina Rawls is Professor of Philosophy at Roger Williams University, USA.Diana Neiva is a Researcher at the Mind, Language, and Action Group of the Institute of Philosophy of the University of Porto, Portugal. Steven S. Gouveia is a Ph.D. candidate at the University of Minho, Portugal. He is the co-editor of Perception, Cognition, and Aesthetics (forthcoming, Routledge).

• PrefaceThomas E. WartenbergPart I: The Nature of FilmChapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film)Malcolm TurveyChapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of SkepticismJônadas TechioChapter 3: The Morph-Image: Four Forms of Post-CinemaSteen Ledet ChristiansenChapter 4: Deleuze’s CronosignsSusana ViegasPart II: The Film as Philosophy DebateChapter 5: The Bold Thesis Retired: On Cinema as PhilosophyPaisley LivingstonChapter 6: Film as Philosophical Thought Experiment: Some Challenges and OpportunitiesTom McClellandChapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerationsDiana NeivaChapter 8: Philosophical Dimensions of Cinematic ExperienceDavid DaviesPart III: The Philosophical Value of FilmChapter 9: Philosophical Experience and Experimental FilmChristopher FalzonChapter 10: Filmmaking as self-writing: Federico Fellini’s 8½ (1963)Roberto Mordacci Chapter 11: Film and EthicsRobert SinnerbrinkPart IV: Cinematic ExperienceChapter 12: Movies, Narration and the EmotionsNoël CarrollChapter 13: Predictive Processing and the Experimental Solution for the Paradox of FictionDina MendonçaChapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to CinemaHanna TrindadePart V: Interpreting Cinematic WorksChapter 15: The Blade Runner Question: From Philosophy to MythDeborah KnightChapter 16: Race, Bodies and Lived Realities in Get Out and Black PantherMary K. Bloodsworth-LugoChapter 17: Transnational Bio-Political Motives in Postmodern Cinema: Žižek and Badiou on Udi Aloni’s Forgiveness and Local AngelOana SerbanPart VI: Further DebatesChapter 18: Cinema and Television: The Art and Industry of Joint WorksInês Rebanda CoelhoChapter 19: Towards a Natural Screen PhilosophyHunter VaughnChapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From SomewhereJohn Ó Maoilearca

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Christina Rawls is Professor of Philosophy at Roger Williams University, USA.Diana Neiva is a Researcher at the Mind, Language, and Action Group of the Institute of Philosophy of the University of Porto, Portugal. Steven S. Gouveia is a Ph.D. candidate at the University of Minho, Portugal. He is the co-editor of Perception, Cognition, and Aesthetics (forthcoming, Routledge).

• PrefaceThomas E. WartenbergPart I: The Nature of FilmChapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film)Malcolm TurveyChapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of SkepticismJônadas TechioChapter 3: The Morph-Image: Four Forms of Post-CinemaSteen Ledet ChristiansenChapter 4: Deleuze’s CronosignsSusana ViegasPart II: The Film as Philosophy DebateChapter 5: The Bold Thesis Retired: On Cinema as PhilosophyPaisley LivingstonChapter 6: Film as Philosophical Thought Experiment: Some Challenges and OpportunitiesTom McClellandChapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerationsDiana NeivaChapter 8: Philosophical Dimensions of Cinematic ExperienceDavid DaviesPart III: The Philosophical Value of FilmChapter 9: Philosophical Experience and Experimental FilmChristopher FalzonChapter 10: Filmmaking as self-writing: Federico Fellini’s 8½ (1963)Roberto Mordacci Chapter 11: Film and EthicsRobert SinnerbrinkPart IV: Cinematic ExperienceChapter 12: Movies, Narration and the EmotionsNoël CarrollChapter 13: Predictive Processing and the Experimental Solution for the Paradox of FictionDina MendonçaChapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to CinemaHanna TrindadePart V: Interpreting Cinematic WorksChapter 15: The Blade Runner Question: From Philosophy to MythDeborah KnightChapter 16: Race, Bodies and Lived Realities in Get Out and Black PantherMary K. Bloodsworth-LugoChapter 17: Transnational Bio-Political Motives in Postmodern Cinema: Žižek and Badiou on Udi Aloni’s Forgiveness and Local AngelOana SerbanPart VI: Further DebatesChapter 18: Cinema and Television: The Art and Industry of Joint WorksInês Rebanda CoelhoChapter 19: Towards a Natural Screen PhilosophyHunter VaughnChapter 20: Metaphysical Alter-Egos: Matheson, Dunne and the View From SomewhereJohn Ó Maoilearca

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